Wednesday, November 12, 2008

Law & Order “Challenged” Won’t Be A Challenge To Follow

This episode of Law & Order, “Challenged, ” isn't action packed. It doesn't have any weird plot twists. It’s what I consider a traditional Law & Order episode that seems simplistic in its story but interesting and compelling nonetheless.


First the recap, my episode review will follow afterwards.

Rick Devon (Bradford Cover) is at his parent’s house, his dad asking if he can stay for dinner. He can’t. Later, he is found murdered in the park. He had $60 dollars in his wallet and tan lines where his watch used to be, so Detectives Lupo (Jeremy Sisto) states he was probably killed as “ somebody needed to know the time real bad.” Detective Bernard (Anthony Anderson) thinks maybe he was drug seeking, but Lupo hears something. It’s water running in a nearby restroom. Someone also left a key on the sink, that looks like it was attached to a bracelet.

Lupo and Anderson question Rick's parents. Stanley (Harris Yulin) and Ruth (Rutanya Alda). It seems their son had divorced his wife and moved back home two months ago. He wasn’t seeing anyone else. They asked to see his room. The detectives indicated he was in a park where drug seekers sometimes frequent, and asked if he had a drug problem. They indicated they did not think so. The other two sons arrive, Matt (Alex Draper) and Ted (Armand Schultz). The detectives decide to return to the park, as the drug pushers should be back on the job.

At the park, Lupo and Bernard question two of the dealers, and Lupo says he saw one of them put something down his pants. In a brave yet somewhat crazy move, he dons a rubber glove and sticks his hands down the man’s pants and comes up with a roll of money. Lupo takes one of the dealers aside, and Bernard takes the other, forcing him to sit down. Bernard says he wants a name of somebody – anybody – so that can stand them up in front of the judge. The dealer says his crew didn’t do it. But, they heard a fight and he sent “Mo Mo” to check it out.

Lupo is talking to Mo Mo (Omar Sharif Scroggins), who said he saw a guy lying on the ground and he wasn’t moving so he thought he was dead. He went back and told “Big Chuck” (Keith Davis). Big Chuck says that he figured the heat was coming so they cleared out. They claim they didn’t kill him.

Back at the 27th precinct, Bernard tells Van Buren (S. Epatha Merkerson) he thinks the two are ripe for the killing, except for a motive. Van Buren asks if it could be a difference of opinion on a drug deal, but Lupo says that Devon’s parents indicated he wasn’t into drugs, but the tox report is not in yet. Bernard advises that latent found a print on the keys left behind and they belong to Diego Cardenas (Carlos Leon), who has a record and is a “dues paying member of the Latin Aces”.

Lupo and Bernard go to the Moffit Group Home where Cardenas has his office. He indicates that his previous life was “another lifetime” and it’s all behind him now. Lupo doesn’t understand why the city would put an active gang-banger in charge of a group home. Cardenas seems to think it’s a typical question. When asked if he’s been to the park, he says he has been there with his residents, and he was there the day before, in the morning. Lupo tries to trick him to saying he left the key there late in the evening, bit Cardenas says no, he was there in the morning. They ask to speak to some of the residents of the group home.

The detectives question the residents, one who seems very precise on the times, and another who asks Lupo about his “official police pen.” He gives the pen to one of the guys. They continue to ask questions about whether Cardenas used the bathroom. One responded that the bathroom is on the “bad side”, and other said it’s on the side with the “bad people” and Diego said they are not allowed to go there. One guy seemed to be preoccupied with the kind of coffee at the police station, and Bernard tried to continue the questioning. But, Lupo sensed that getting the people out of the home may help with the questioning, and says it looks like they’ll need a “field trip.”

They take them to the park, and one man points out the bad bathroom and another guy points out the bad guys. When asked which bathroom they can use, they point to the diner, and Cardenas says the owner lets them use it. When directly questioned, they all say they did not see Cardenas go into the bathroom in question.

When they pull Cardenas aside, saying that if he had been in the bathroom when he said the residents would have noticed, he admits he did come back later and did use the other bathroom. He admits he’s gay and that he wanted to hook up with somebody. But, he changed his mind and he was only there about 15 minutes, walking around. Lupo asks him to show them where he walked. He indicated where he walked, but said he got a bad vibe from the pipe heads and went back to the home. But when Bernard asks him “but first you washed your hands” Cardenas said he was nervous but wasn’t there when the man was killed and he saw nothing. They let him leave.

Back at the 2-7, they bring Van Buren up to speed about Cardenas’s comments. Van Buren wonders if maybe Devon was cruising the bathroom as well, and maybe he was the aggressor. But the tox report came in and Devon was clean for drugs, but it doesn’t tell them if he was gay. Lupo has a dump from Devon’s cell, which shows a call to the group home. They wonder if Devon and Cardenas had something going. Van Buren tells them to check the regulars at the park to see if anyone can place him there.

While questioning some of the guys from the park at the 2-7, Bernard calls “Lupes” over. One guy, Louis, tells them that Big Chuck and Mo Mo were looking for a witness that saw them with the dead body. They couldn’t make out who he was, and Mo Mo said they saw the guy run off. Bernard pulls Lupo out of the room and says the witness has to be Diego. Maybe he saw them over the body and maybe even killed him, that’s why he’s been lying; he’s afraid. Lupo says since Big Chuck saw them with Diego and maybe they thought he was turning snitch. They have to get Cardenas off the street. But, it seems Diego took one of the residents out for a walk and the resident came back alone.

Lupo and Bernard are on a scene with police, who got reports of shots fired. They find Diego in what looks like a pile of trash, shot in the mouth. Lupo comments, “Subtle.”

Back at the 2-7, Lupo is questioning Big Chuck. He denies knowing Cardenas or being on the hunt for him. He said he didn’t kill anyone, including the first victim. The detectives are stuck because it seems the only witness to Devon’s murder is now dead. But Van Buren tells them to talk to the resident that was with Cardenas, despite his mental handicap.

While one resident (Mike) sniffs a thermos of coffee, another tells the detectives that they were supposed to go to the 99-cent store, but Diego told him to go home right now. He called him the “T-word” and the Mike ads, “Tard.” When Bernard asks him to look at a photo array, he says he has “autism related face recognition deficit”. He can’t remember faces. When Lupo asks if he can remember anything else, like cars in the alley, the man indicated he knows all the license numbers and asks Lupo which one he wants. When Lupo asks “for which car” he responds“ all of them.” Lupo tells him to go for it.

Bernard also notes that Diego cooked dinner for them on Tuesday. They can recall what Diego cooked and the fact he was there at 7:03 because he has to eat dinner with them and he has to clean up. Lupo realizes that Devon could not have been in the park, and wonders why he didn’t tell them he was there the whole time? Was Diego protecting the person who really left the key in the park bathroom? They ask Mike who was missing from dinner that night, and he responds it was Pete (Michael Rispoli).

A supervisor at a recycling center said Pete does come there when he gets into a fight at the home and he needs to cool out, and Lupo thinks that Diego sent him there to protect him. The supervisor doesn’t think anyone took him in, but that Pete did mention a new friend, and he identifies him from the picture Bernard shows him of Rick Devon.

They show Devon’s father the picture of Pete Harris, but his father doesn’t know of him. When they ask about talking to his wife, Mr. Devon makes an excuse for her. But Lupo thinks that somehow Pete is being hidden in the mental health system, and finds calls on Diego’s phone records that may bear that out.

At Ralston Psychiatric Hospital, Bernard hits a wall where he can’t get information from a staffer. But Lupo gets information from another staffer who says Pete is missing from his room, saying he was upset and confused. Lupo asks a staffer for the location of the garbage room, and they find Pete there sorting through the trash. They take him back to the precinct.

They show Pete a picture of the key and he recognizes it as his. He tells them he was out with Rick for some Mexican food. He heard Rick scream and saw him bleeding and ran home. He told Diego about it and he was scared. Lupo reassures Pete that they will protect him, and hands him a photo array. Pete holds the picture to his face, sideways, and says he is looking at their noses. He identifies Big Chuck and Mo Mo.

Later, in court, Big Chuck and Mo Mo are being arraigned and they get remanded. At Rikers, EADA Cutter (Linus Roache) and ADA Rubirosa (Alana De La Garza) split up to talk to each defendant separately, Cutter is talking with Mo Mo, and tells him “First squeal gets the deal.” But Mo Mo says he didn’t do it. Cutter presses him on Cardenas, and tells him that his car was there when Cardenas was killed and if they find DNA there he’s in for the long haul. His attorney wants to talk with her client. But when Cutter remarks he wants to see how his colleague is doing with Big Chuck, Mo Mo asks him to wait. Afterwards, Cutter tells Connie he will plead on Cardenas and implicate Big Chuck, but he says no deal on Devon. Rubirosa says Big Chuck won’t roll on his homeboys, and Cutter says he wins. But Rubirosa doesn’t understand why he’ll plead on one but not the other. Cutter thinks it’s because they didn’t kill Devon.

Rubirosa, Lupo and Bernard have Pete at the park bathroom, going through what Pete saw. Pete seems to put Rick Devon’s body in an area away from where the body was found. But, when Rubirosa leaves and Lupo and Bernard talk to Pete, it seems that Rick had information about Pete as a child, and Pete shows them a picture of himself as a child that Rick had given him. Bernard and Lupo take this information to Cutter and Rubirosa while they are in DA Jack McCoy’s (Sam Waterston) office. It seems that Pete was turned over to the Department of Mental Hygiene in 1964 by his parents, Stanley and Ruth Devon. A clerk changed Pete’s last name. Apparently Rick tracked his brother down and the mental health department sent him a full family reunification kit.

But, at Stanley Devpn’s home, he wants Rubirosa and Lupo gone. He did not want this matter dredged up. He couldn’t handle Pete as a child. They never had further contact with Pete after turning him over to the Department. His wife had two other sons to take care of and she was pregnant. He said that’s they way they did it then. Lupo asks to take another look at Rick’s room. Lupo notices that a locked drawer was forced open and seems to have been emptied.

Later at the DA’s office, Rubirosa tells them that the family reunification kit that was sent to Rick is nowhere to be found. It sounds, as McCoy said, the whole family gas "gone toxic” on the issue. Rubirosa has information showing how much it cost for the state to take care of Pete all those years. Rubirosa gets a call, saying Pete’s family wants to see him. Jack states, “The loving family that abandoned him 40 years ago, one of whom might just have just murdered the only member who gave a damn. Better send a body guard.”

Pete is in the car with Lupo, and Pete is asking about the family. The family reunites. One son, Ted, apologizes to Pete for him being sent away, but his younger brother Matt doesn’t seem to see it that way, and storms out. Lupo and Rubirosa follow him to the kitchen where he is pouring drinks. He talks about the strain this has placed on his mother. He also mentions in passing that his “long lost brother” only takes his soda out of a plastic bottle. When Lupo asks if he remembered that. He said no, Ted told him. Rubirosa thinks it’s nice to remember that, but Lupo isn’t so sure, saying they didn’t have plastic soda bottles 40 years ago. Ted comes in and asks if they are OK.

Later, Ted is in Cutter’s office, complaining they are searching his home and office, and wondering why, since they already had the “drug freaks’ for killing his brother. Cutter tells him that Rubirosa and the detectives have a theory that covers the plastic bottle issue. He seems angry they think he killed his own brother. As Rubirosa enters the office, Ted glares at her and leaves. She tells Cutter that they got nothing on the search, but they got a call from the group home and Pete is upset about something.

It seems Pete won’t eat or work, and he’s been that way since he went to the home. He says while at his family’s house, he hear the voice that he heard yelling at Rick when Pete was in the bathroom. He said it was one of the brothers, the one being nice to him. Ted.

Lupo and Bernard arrive at the Devon household looking for Ted but his father is not going to help. They see Ted and arrest him. Ted is indicted for second-degree murder, and Jack seems surprised because this implies premeditation. Jack is also worried about how Pete will hold up on cross, and as Rubirosa joins the conversation; she seems to have some concern as well. The family wants Pete to move back in with them, but Cutter is skeptical that after 44 years they probably want to sway his testimony. Jack tells Cutter “You’re screwed” and walks away.

Lupo takes Pete to his new home with his family.

On trial, Matt is on the stand, and they question him about how he and his family financially helped Ted. He admits to the defense he was not happy about Rick getting involved with Pete. Pete then give his testimony, but now says he doesn’t remember what happened. Cutter tries to help him to remember, but Pete clearly does not want to implicate Ted. He then says he was lying about Ted, he says he hurt Rick himself, they argued and he fell and hit his head. Pete is clearly distraught.

In Jack’s office, Rubirosa is frustrated that the family is “throwing Pete to the wolves” again. Jack seems to think it’s a lost cause, but Cutter thinks that since Pete admitted to killing Rick that he should be charged with murder. Rubirosa says, "What kind of pathological prosecutor would actually charge him?” Cutter raises his hand and tells them to call the cops and arrest Pete for murder. Jack quips, “I thought I was supposed to be the hard ass.”

Later, Stanley Devon and his wife Ruth are in disbelief of Cutter's charges against Pete. They seem shocked he would go to prison. Cutter is clearly trying to get at them, saying that he doesn’t know why this is so hard for them, seeing that they sent Pete away once before. Ruth seems to want to explain the matter to Cutter but Stanley says Cutter is just playing them and he counts off the reasons how Pete will get off. She tells him to stop – that’s how he counted off the reasons 40 years ago. She won’t give Pete away again.

Later, at an allocution hearing, Ted is explaining his involvement in Rick’s murder. He admits that his whole previous life with Pete came back and it was a mess. He argued with Rick, and he followed him into the park, partly in curiosity to see Pete. He shoved him hard, he didn’t mean to kill him.

Rubirosa says, as Pete’s parents leave “44 years,” and Cutter responds, “That’s a lot of catching up.”


My comments:
I found this episode a little depressing at times. Seeing that I have a family member (a nephew) who lives in a private group home (he has very serious disabilities, much worse than Pete in this episode) I can understand the strain that it may put on a family to care for someone who is not normal. I think it can test even the best of families.

As Rick’s murder was accidental, I will never figure out why, when this is the case, that people just don’t come forward right away and say so. I suppose the fear of being prosecuted is very real. Then again, this is a family that seemed to be in denial about their son/brother, acting as if he never existed because it seemed easier to cope that way. It’s not surprising that any of them would avoid taking responsibility for a death, even if it was an accident.

I thought they did a good job in weaving the case together. There were a lot of pieces in the puzzle and it was complicated by the fact that another person was killed because of fear over being implicated in the murder. Lupo and Bernard did well together and this was one of the first times that they seemed like a cohesive team. And the guest cast did a great job in all their roles. I have to comment that after seeing a few weeks of disappointing SVU episode that promoted the appearances of the guest stars, it's nice to have the traditional Law & Order episode where the guest stars seems to comfortably slip into their roles so as to become the characters they are portraying.

It was somewhat predictable that once it was discovered that Rick and Peter were brothers that a family member would be involved. But I admit it was actually somewhat refreshing, especially after watching the soap opera drama of SVU from the night before that it was nice to have what I consider a traditional Law & Order episode without all the contrived plot twists and personal drama. It was also interesting to have Cutter play the “hard ass” that seemed to be missing in last week’s episode. The chemistry continues to grow with Cutter and Rubirosa. He seems to be in some sort of competition with her, as if he has to prove that he’s the top dog. I think we saw that Cutter ego last season and it was fun to see it come back again.

Jack seemed to have some of the best lines in the second half of the show, but he did take somewhat of a back seat. While I am a huge fan of Sam Waterston, I think for the health of the show that Cutter needs to get more face time and be the driving force for the show to continue to have life. This episode gave just enough Jack so I didn’t feel like I was being short changed.

If you’re expecting action in the episode, you won’t get it, this story was very low key. That’s OK. It was a comfortable episode that I didn’t have to work to hard to follow. Every now and then you need one of those. But not too many!

I’m just glad that the old reliable Law & Order is back. Now, if they can just find out what happened to the old reliable Law & Order SVU….?

Law & Order SVU “Babes”: Writers Gone Wild

This episode of Law & Order SVU, “Babes” seemed crammed full of predictable “ripped from the headlines” story lines, various puns, and dark humor. It was as if it couldn’t decide whether it would be serious or funny. It was also filled with veiled and not so veiled commentary about teen pregnancy (including a reference to Sarah Palin’s daughter's teen pregnancy), Benson’s biological clock ticking, and the big, bad Internet. If I didn’t know better, the writers at Law & Order SVU uses some kind of “headline randomizer” where they take the news headlines for the last year, put them into a computer, and ask them to spit out 3 random headlines, and they base the episode on what it spits out.

But first, the recap, and my review will come afterwards.

This episode opens with a couple dining at a restaurant apparently long after the closing time. When the man makes a crack about having dessert – maybe something flambĂ© – a man engulfed in flames runs across the street and collapses. Detectives Munch (Richard Belzer) and Stabler arrive at the scene, where ME Warner (Tamara Tunie) is examining the body. (By the way, Stabler reports that Benson (Mariska Hargitay) is off at a 3 day conference for battered women.) It appears the victim is missing his “family jewels.” After a few reference to a chop job, crispy critters, and “follow the bloody brick road”, the group runs out of puns and follow the blood trail to where it seems the man was originally attacked.

But wait, they haven’t run out of puns. The comments continue at the morgue, where it’s mentioned the victim, who appears to be a homeless man, was “toasted then roasted” when it’s discovered that he had a lot of drugs and alcohol in his system when he was immolated. When Warner rehydrates his finger, she is able to get a fingerprint and they find that the body is that of Joshua Michael Galli.

Stabler and Much visit Galli’s father (Michael Badalucco), who says his son was diagnosed with schizophrenia in high school, and when the doctor prescribed meds didn’t work, he turned to other self-medicating methods. They also see that he attended Blessed Heart High School. Galli’s father also told the detectives that he knows that homeless people are being abused and the videos of the assaults are being posted on the Internet.

Back at the squad, they view videos of beatings from a web site called the “Street Cleaners” which have a toll free number where “concerned citizens’ can report problems with homeless. It seems this triggers people to go out and drive the homeless away. TARU Tech Ruben Morales (Joel de la Fuente) tells them that the videos are geo-tagged so they can track the location and even the device that uploaded the video. They decide it’s time for a sting, and Fin (Ice-T) suggests they “introduce them to the laziest, filthiest bum they’ve ever seen.” Of course, that can only be John Munch, who, in his crazed homeless man persona, walks up and down the street, ranting about the CIA, The Illuminati, being watched, etc. When Stabler quips that Munch “does crazy good”, Fin dryly responds that this is Munch’s normal persona, only louder. Of course, it quickly flushes out two people who attach Munch with a baseball bat. When the police ambush them, they find one of the attackers is a woman.

The two – Sarah and Seth – are taken into custody, and under questioning, they reveal an alibi which seems to be supported by pictures on their cell phone. Later, Forensics Tech Ryan O'Halloran (Mike Doyle) finds that Galli was torched using formaldehyde, and finds an “electric match” which has the initials BHHS on it – Blessed Heart High School, the same place Galli attended. O’Halloran also says that it is likely that the person who burned Galli also suffered a burn themselves. Stabler and Munch head to the high school, where Max Matarazzo (Jesse McCartney) tells them about their group the “Chastity Circle” to which Munch dryly states, “Chastity Circle. In my days they called that the A.V. club.” Max then points them in the direction of Alec Bernardi (Philip Ettinger), who helps clean up the school lab area, and is part of the honor society. When Alec sees the detectives approach, he makes move to leave, but they stop him. And he has a bandaged hand.

At the squad, Benson has returned, and as she is talking to Cragen (Dann Florek) Bernardi’s mother arrives and demands to see her son. But Cragen refuses, telling her that her son is an adult and has been read his rights. In interrogation, Bernardi calls what he did his “honor” but says it was an accident. He only took the stuff from the school to scare Josh, and when Josh attacked him, he tried to fight back. He also says that Josh raped his sister and got her pregnant which is why he assaulted him and mutilated him.

Benson talks to Alec’s sister Tina (Britt Robertson) along with her mother Peggy (Debi Mazar), who denies the rape. When Benson mentions the baby, Tina’s mother goes ballistic. Tina said the sex was consensual and her brother misunderstood. She tells them that it happened 3 months ago, she saw him coming out of his dad’s place and he looked good, and she had a crush on him. They went up to the roof, Josh had alcohol from his dad’s and they did not use a condom. She wanted to have a baby, though. “We all did,” she adds. We then see many young girls, presumably friend of Tina's, stating basically the same desire; wanting to have a baby, their parents would help them out with it, etc. They all say it was “Fidelia’s idea.”

Benson talks with Fidelia Vidal (not sure who played her, it could be Jessica Varley) with her mother (Katherine Narducci) and father (Ray Abruzzo) present. She seems thrilled she is going to have a baby, that it will make the girls hot. She also says that older women are jealous of her pregnancy and taunts Olivia about her biological clock ticking. While Olivia lectures, Max storms into the apartment, and seems shocked at the news of Fidelia’s pregnancy. He and Fidelia cry and embrace, and he said he thought they were going to wait for each other, but even Christians make mistakes.

Back at the squad, the detectives argue about the implications on the girl’s lives. They also realize that the boys can’t be charged in some cases because they are minors and Josh, who was an adult, is dead. Fidelia doesn’t know the real name of the person who got her pregnant, only that he went by the name “Dizzer”. But they wonder about Max and his involvement, and whether they can get a paternity test on the fetus. Fin says that Fidelia’s dad is on the warpath, and turns on a press conference where Fidelia’s father is ranting about the state of the situation with kids and how the police don’t do anything about it. Munch finds Dizzer’s real name in a criminal alias database – it’s Donald Zuccho.

They find Dizzer and slap a warrant on him. They head to the Vidal household and tell Mr. Vidal of their progress, and that they can take Fidelia for an amnio to do a DNA test. Mr. Vidal calls for Fidelia, but she does not answer. He finds her bedroom door locked, and she still does not respond. When he can’t break down the door, he enlists Stabler's help. They open the door to find Fidelia hanging from her ceiling fan. Stabler restrains the parents as they cry out in horror.

As they take Fidelia's body away, her mother tells Fin and Stabler that someone made her do this, that Fidelia was getting emails taunting her. They check out the computer. They find someone by the ID of Dizzer4Ever seems to have been taunting her, but Dizzer denies it. He thinks he’s being set up. They take his phone. But Dizzer didn’t send the emails; they find they were sent from an Internet CafĂ©. Using cameras from a security cam at an ATM, they find the image of Peggy Bernardi who was there just a few minutes before the emails started.

They confront Peggy Bernardi, who admits to writing the emails, but she knows they can’t get her for that so she tells the detectives to get out. At the squad, ADA Grayleck (Micheala McManus) tells them there is nothing on the books to cover prosecution for cyber bullying, but she can try for charging her with promoting a suicide, and if that won’t work, she can go for other charges that are only misdemeanors. They get a call telling them that someone put Peggy Bernardi’s location on Google Earth, and the Bernardi’s are being mobbed. The detectives go to her home and arrest her and remove the family from the house amid the angry crowd.

At arraignment for a whole host of charges, including promoting a suicide, Peggy Bernardi denies the charges. Grayleck tries to go for $500,000 bail, but Judge Moredock (John Cullum) sets it at $50,000, but agrees with Grayleck that Bernardi should not be allowed to use a PC or other electronic device. Grayleck and Bernardi’s attorney Granger (David Thornton ) spar over the merits of the case.

On trial, Grayleck makes Bernardi read her emails aloud on the stand. One of the emails told Fidelia that the world doesn’t need her and to end it now. She also has her read Fidelia’s final email, which says “fath is knocking” so she had to go. When Grayleck assumes this meant Fidelia's father was knocking and that he was probably checking on her, she added that a good parent doesn’t persecute her kids. But Tina Bernardi stands up, saying that they are all wrong. As she is being led out of the courtroom, she proclaims that FATH doesn’t mean “father” it means “First And True Husband” which is a saying from the Chastity Circle, and the detectives realize Fidelia was talking about Max Matarazzo.

Munch and Stabler question Max. He says he came up the fire escape to avoid Fidelia’s dad. He admits he should have told them about his visit. He says he didn’t do anything bad. He says he loved Fidelia but she committed suicide. He loved her, and they made a commitment to God. He forgave her for cheating on their commitment. Stabler gives him all the details of Fidelia and Dizzer’s one night stand. They suggest that when Max arrived at her room, he saw her trading emails with “Dizzer” and it must have angered him. He admits that they argued, and she accused him of being scared to have sex. They suggest that he choked her out on anger and made it look to be a suicide. He seems to admit the crime, stating he prayed for forgiveness every night but God doesn’t answer.

Cut to the courtroom, where the sentence of 4 years in the state penitentiary for manslaughter in the first degree is given to Max. We also see the reading of the verdict for Alec Bernardi, who was sentence to 15 years to life for murder in the second degree. The charges are dismissed for Peggy Bernardi. Grayleck does not look pleased. Bernardi turns to Grayleck, saying she told her she was innocent. Grayleck says there is a big difference between charges dropped and innocent. She continues to taunt Bernardi by telling her that her neighbors will explain it to her when she gets home. Bernardi tells her to go to hell. Grayleck responds that she should “just try and wash the blood off her hands" when she holds Tina’s baby for the first time. Bernardi becomes enraged, and attacks Grayleck, pushing her on to the table and begins to choke her, saying she out to kill her, she’s a good mother, etc. Grayleck doesn’t seem to be fighting back, and Bernardi is pulled off of her. When Stabler asks if Grayleck is OK, she finds she had blood on her neck, and states to “collar that bitch for assault.” Elliot pause momentarily as he looks at Tina Bernardi sobbing in the courtroom over the events.

Later, in family court, Stabler approaches Tina, who is waiting there. She expresses remorse for her actions, her whole family is in jail and she’ll get sent to a foster home. He said he wouldn’t be so sure about that, and they turn to see Mr. Galli, Josh’s father, approach. He says he is there to talk to the judge and state that a baby needs a home, especially his grandchild. Tina says she is so sorry, but he says it is not about the past, it is about right now. They hug each other, and Stabler wishes them good luck, and departs.


This episode was too chocked full of ripped from the headlines story lines and too many characters and twists and turns that it seemed like they were trying very hard to make a predictable episode seem interesting. It didn’t work. Instead, the story came off as being too forced. Seriously, it was as if the writers were having a contest to see how many “ripped from the headlines” stories they could cram into one hour. I don’t dislike RFTH, but when they go overboard it detracts from the drama.

It was obvious that with all the hype surrounding Jesse McCartney’s appearance (I don’t get the appeal but that’s just me) that he would turn out to have a big hand in the episode somewhere along the line. And it would seem likely that a “chastity circle” member would trade one commitment – chastity – but then have a dark side of being a murderer. It must be all that abstinence that puts them over the edge. Also, did anyone else wonder why, when they broke down the door to Fidelia’s room that Stabler made no move to get her down, he just stood there, and then just restrained the parents? Fidelia didn’t look quite blue to me yet, and I would think that just for the parent’s sake he would have made an attempt to cut her down or check her pulse or something first. It also seemed odd that the ME didn’t notice that she had been choked to death, not hung, since the marks would be so different. I thought this was a huge flaw in the story, but of course it was a contrivance just so we could have Peggy Bernardi put on trial for allegedly contributing to her “suicide.”

Which brings me to another point, Grayleck’s bad behavior after the dismissal of charges against Bernardi. In my opinion, her comments were completely inappropriate for a prosecutor. If she was egging Bernardi on, it was also inappropriate. It also seemed odd that Grayleck made no move to fight back. Why? Even if she were egging on Bernardi, I would think she would at least try to grab Bernardi’s hands to get them off her neck. I would argue that Garyleck’s taunts were harassment, especially since Bernardi’s charges were dismissed. I am not quite sure if they are writing Grayleck to be particularly annoying so the fans will be happy if/when they fire McManus. That can’t come soon enough as far as I am concerned. Her acting still remains wooden.

Another annoyance with the Law & Order franchise, and especially SVU it seems, that the Internet is portrayed as this giant cesspool of wackos, or that it’s only purpose is to spread hate or to feed the seedy side of humanity. I guess that only perverts and nutjobs hang out at Internet Cafes, too. I seems that the Internet is only used to spread videos of people committing crimes, or, in their case of referencing Google Earth, to incite people to do bad. This is really getting old. Sure, there are some cases where people post questionable content on the internet, but I think there is more good out there than the bad they seem to portray. After all, considering that many TV shows rely on the Internet to spread information and generate excitement for their shows, and blogs and other fan sites and forums serve as free advertising and promotions for their shows, it’s as if they are biting the hand that feeds them.

Also a little too obvious was the forced humor and puns during parts of the show . For example, it seemed as if they were looking for ways to mock the initial victim’s manner of death. The only two segments that the humor seemed to work well was Munch as the crazed homeless man, and Fin with Dizzer trying to top each other with the lame comments and urban slang.

And what is the deal with Elliot suddenly having to fix everyone else’s family problems? His attempts to find a foster home for Tina is commendable, but let’s be honest here, he can’t fix his own family life. I suppose they want us to think that his need to “fix” people is reflective of his inability to fix his own problems, but if he put the effort into his own family as opposed to others, maybe he wouldn't have any problems. Also disappointing is that the preview for next week seems to imply that Elliot will be injured on the job which may open viewers up for more Stabler drama. I am sick of Stabler drama, frankly, so I am not looking forward to next week.

Maybe this episode would have played well with the under 16 crowd, but not with adults who come to watch Law & Order SVU for a crime drama, not a soap opera. I find myself wondering what has happened to this show and what demographic they are really going after? Is it the 13-18 year olds? The show is becoming too vanilla, too simplistic, and the edge is long gone. My suggestion is that the writers throw away the newspapers and stop watching TV news for a while, forget any personal issues with Stabler and Benson, and start writing something original. I think that the 19 year old crowd and older deserve it.


“Babes” Two Minute Replay


Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.

Tuesday, November 11, 2008

Law & Order Franchise Helps Promote NBC’s Green Week

NBC Universal has announced that they are kicking off “ Green Week” beginning November 16, 2008. Law & Order star Jeremy Sisto, and Law & Order SVU stars Chris Meloni and Mariska Hargitay will participate with PSAs (Public Service Announcements). The Law & Order episode on November 12 will include a green themed storyline. The NBC Universal Press Release included the following information:

"Green Is Universal" today announced the launch of a new consumer campaign, "Green Your Routine," which will roll out across the entire company during "Green Week," a massive, multi-platform programming and community affairs effort beginning Nov 16th – 23rd. Throughout the week, 42 NBCU brands will feature 150 plus hours of environmentally themed programming across the company's television and digital platforms.

"'Green Your Routine' is about educating consumers that it's easy, practical and economical to be green," said Beth Colleton, Vice President of Green Is Universal. "Asking consumers to help 'save the planet,' or 'clean up the oceans,' sounds daunting to the individual. If everyone pledges to green even one simple aspect of their daily routines, such as walking to work, shopping with a reusable bag, or taking a shorter shower, together we can make a difference in our own lives and impact the environment."

Throughout Green Week, the new campaign will be visible across many of the NBCU properties both on-air and online, and will feature NBCU talent talking about how they green their own routines, as well as contests encouraging consumers to participate.

In addition, an outpouring of NBCU talent participated in "Green Your Routine" The More You Know (TMYK) PSAs – this marks the most NBCU talent to ever unite behind a single cause. Those who participated include: Christopher Meloni and Mariska Hargitay (Law & Order: SVU); Howie Mandel (Deal or No Deal); John Krasinski (The Office); Jaime Pressly (My Name is Earl); Linda Cardellini and Scott Grimes (ER); Brooke Shields, Lindsay Price and Kim Raver (Lipstick Jungle); Jane Krakowski and Jack McBrayer (30 Rock); Masi Oka and Zachary Quinto (Heroes); Amanda Tapping (SCI FI, Sanctuary); Zachary Levi and Josh Gomez (Chuck); Tori Spelling and Dean McDermott (Oxygen, Home Sweet Hollywood); Tiki Barber (NBC Sports); Coolio (Oxygen, Coolio's Rules); Jeremy Sisto (Law & Order); Patricia Arquette (Medium); Padma Lakshmi and Tom Colicchio (Bravo, Top Chef); Alison Sweeney (Days of our Lives); Debra Messing (USA, Starter Wife); Ann Curry, Meredith Vierra and Al Roker (TODAY)….


The press release also goes on to say:

NBC Primetime: Seven NBC primetime shows will feature green storylines including "Lipstick Jungle," "Kath & Kim," "My Own Worst Enemy," "Knight Rider," "Life," as well as a special pre-Green week episode of "Law & Order" to be broadcast Wednesday, Nov. 12.



More information can be found at.
www.greenisuniversal.com/greenscreens

Here is one of the Green PSAs with Chris Meloni




Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.

Saturday, November 8, 2008

Law & Order, L&O SVU Episodes for the Week of November 9th

Here is the episode information, plus pictures and videos, for this week’s episodes of Law & Order and Law & Order SVU.

Please note that NBC has made some changes to the November schedule for Law & Order SVU. “PTSD”, which was to air on November 25 has been moved to December 2. A new episode named “Persona” is being aired on November 25. You can find the episode information for all these episodes on my blog here.

Law & Order SVU “Babes” Air Date November 11, 2008
A TEENAGER BURNED TO DEATH PUTS DETECTIVES ELLIOT STABLER (CHRIS MELONI) AND JOHN MUNCH (RICHARD BELZER) ON THE CASE, ONLY TO REVEAL A COMMUNITY IN CHAOS WITH A GROUP OF TEENAGED GIRLS IN A “PREGNANCY PACT” AND A HIGH SCHOOL “SAINT”, MAX MATARAZZO (GUEST STAR JESSE MCCARTNEY).


When a boy is lit on fire, Detectives Elliot Stabler (Christopher Meloni) and John Munch
(Richard Belzer) investigate the malicious crime. In search of a lead, the Detectives end up at Blessed Heart High School, where their student escort, Max Matarazzo (guest star Jesse McCartney) introduces them to the ‘Blessed Heart Chastity Circle’ and senior Alec Bernardi (guest star Philip Ettinger). Alec admits to hurting the victim, but in turn opens a new door for the detectives when he unveils a group of pregnant teenage girls. A strange web of secrets and bad blood in this “close-knit” neighborhood offers a challenge for the detectives. Also starring: Mariska Hargitay, Richard Belzer, Dann Florek, Ice-T, Michaela McManus, Tamara Tunie, and B.D. Wong.

NBC Video Clips from “Babes” are below


My recap and review of “Babes “ can be found here.




Law & Order “Challenged” Air Date November 12, 2008
A MAN IS FOUND MURDERED IN A PARK AND THE DETECTIVES CALL UPON A MENTALLY CHALLENGED PATIENT TO HELP SOLVE THE CASE
Rick Devon’s (guest star Bradford Cover) body is found murdered in a park, and his death is automatically assumed to be drug related. Upon investigation, detectives Cyrus Lupo (Jeremy Sisto) and Kevin Bernard (Anthony Anderson) stumble upon a key in a nearby bathroom that could potentially have been left behind by the killer. Prints on the key lead the detectives to former felon, Diego Cardenas (guest star Carlos Leon), who has cleaned up his act and now works at a home for mentally challenged adults. After questioning Diego, the detectives discover a hidden relationship between the murder victim and another resident of the home, Pete Haynes (guest star Michael Rispoli). Rick and Pete’s relationship guides the detectives to uncover a painful family secret that could expose the killer. Epatha Merkerson, Sam Waterston, Linus Roache and Alana De La Garza also star.


My recap and review of “Challenged “ can be found here.









Video previews SVU Babes









Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.

Friday, November 7, 2008

Law & Order Parodies

For a franchise that has several spin offs and has been around for many many years, there have been few parodies of the show, and none of them are very good.

Case in point, a new short film that was released titled “Law & Order SUV” which is a Law & Order SVU parody that takes place almost entirely inside an SUV. The trailer is below, and the film can be viewed on the film’s web site ”Law & Order SUV The Movie. I watched all of it, and while it does poke fun at some of the common traits of the show, it is not particularly entertaining; it’s just silly in a not so good way. Each time the door of the SUV closes, the famous “doink-doink” Law & Order sound can be heard. It misses terribly as parody when, at the end, as song sung by Frank Sinatra is played over the ending credits. Law & Order has never had singing playing over the credits, so they lose points here for not keeping true to the show. The film is a little over 15 minutes long. I felt cramped just watching them in that SUV.


Someone else did a parody of Law & Order using fake chickens. Yes, chickens. What is surprising is that the “Robot Chicken” version of Law & Order – called “Law & Order KFC” - is actually right on target. It too gets a little tiresome by hearing the constant clucking of the chickens. Still, they get it right by including the obligatory shooting on the courthouse steps. This chicken production does better in less than two minutes than the 15-minute “SUV” movie using live people.



Trailer Law & Order SUV


The full film can be viewed at this link: ”Law & Order SUV The Movie.



Law & Order KFC





Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.

Thursday, November 6, 2008

Law & Order “Rumble” A Good Fight to the End

Bring that microphone closer. I think I hear angels.

Before I go into the recap and review, let me just open with the fact that I am so glad to see the show back in its old time slot, and earlier in the season that what was originally planned. It was worth the wait, as they delivered a fine episode with lots of rumbling going on, even within the criminal justice system.


This episode opens with a ‘Criminal Intent” feel, as we see the eventual “victim” Todd Hauser (Graham Outerbridge) with who seems to be with his girlfriend, then later at work at a brokerage firm, and then, in the rest room examining bruises on his body. We find later that Hauser has died, apparently from massive internal bleeding. There are no obvious bruises on Hauser’s face though. When Detectives Lupo (Jeremy Sisto) and Bernard (Anthony Anderson) are called to the morgue, and when the find that Hauser is a stockbroker, Bernard quips, “This is the kind of thing that might catch on.”

They investigate the death as if it were a beating. They check out the brokerage firm and find that Hauser took off for lunch to Union Square. They also find he had what appeared to be a girlfriend, described as Asian woman wearing a pink T-shirt that said “Pixies” on it. They track her down, and she seems to indicate that nothing odd happened at lunch. But, based on other information, Lieutenant Van Buren (S. Epatha Merkerson) thinks Pixies girl (Dana Shiraki) knows more, and she tells them to go pick her up and bring her in.

Lupo, who was able to obtain Hauser’s Blackberry, finds that apparently there is some sort of meeting that is scheduled to take place at Union Square, and several other people are invited. Lupo and Bernard decide to check it out.

When they arrive, the find a street fight taking place, with two police officers watching, doing nothing. When one of the fighters gets beaten bloody, Lupo and Bernard step in and tell the cops to do their job and break it up. They do so, and Lupo and Bernard pick up Pixies girl who is also there and bring her in for questioning, and they also bring in one of the fighters. The fighter guy says that he also teaches fighting, but that the people participating in the street fight have to say up front if they are a pro. Pixie girl caves under questioning and says the fight video is on the Internet, and identities the guy who fought with Todd. Her turns out to be a construction worker named Vince Fonsello. And Vince is not happy when Lupo and Bernard arrest him on the construction site.

At the 27th precinct, Lt. Van Buren and the detectives are talking with Hauser’s brother (Pablo Schreiber) who works for the fire department. He is clearly agitated that his brother is dead, and said that his brother “tapped out” of the fight. When Van Buren doesn’t seem to understand what that means, he slams his hand on the desk several times to show it means the fighter gives up. He says that the fight should have stopped at that point but did not – they saw it on the Internet. Van Buren reminds him “you’re not in your fire house” after Hauser's outburst.

ADA Rubirosa (Alana De La Garza) is clearly annoyed with the detectives for arresting Fonsello before consulting with her, saying “ Next time, before you arrest someone, try bringing the ball forward a little more. I don’t like playing catch up.” Still, she proceeds to the arraignment, where, based on a flimsy case presented to the judge, she can’t get the judge to hold him for what may eventually be a murder charge. The judge released Fonsello on his own recognizance, and the courtroom gallery erupts, with Hauser’s brother screaming and venting his anger at Rubirosa to “do her job.”

Back at the 2-7, Pixie girl is in again for questioning, and they are trying to confirm whether Hauser “tapped out.” She said her view was blocked, but she heard one of the long haired Italian construction workers say that Hauser pulled a “Roberto something.” Bernard assumes it’s a Roberto Durant, who said “no mas, no mas” to end a fight. They return to the construction site and question some of Fonsello’s co-workers, one who was an Italian with long hair. Clearly the guys don’t want to snitch, and when something falls near the detectives, they are warned that a construction site is a dangerous place.

They manage to catch up later with one of the workers, who admits that Vince Fonsello knew Hauser had tapped out. So they bring Fonsello in to the DA’s conference area, and confront him with evidence that he knew Hauser tapped out but continued the fight anyway. But Fonsello's attorney said that it was a consensual fight between two amateurs. DA Michael Cutter (Linus Roache) says he’s a pro at law and he’ll ask for 20 years. They negotiate to criminally negligent homicide.

In Jack’s office, DA Jack McCoy (Sam Waterston) seems appalled at the fighting and that the cops just watched it. Rubirosa tells him that since the fight is consensual, they can only issue tickets for disorderly conduct. Jack wants to make an example, but since the fight was consensual and the witness who confirmed the tap out won’t testify, they can’t do much. Cutter says that there are just too many factors here, and adds “There’s enough blame here to go around.” To which Jack responds “That’s a fine, mealy-mouth sentiment. “ He then tells them if negligent homicide is the best they can do, take it, but make sure Fonsello does jail time.

Lupo and Bernard find that Fonsello is a trained boxer, and bring the information to Cutter, who asks how they missed this. Lupo thought Cutter would be happy, and Cutter informs him that the knowledge of Fonsello's training could have meant a second-degree murder charge.

Back in court, Cutter informs the judge that the consent to fight was fraudulent because Fonsello did not disclose his skills, but the judge disagrees with the whole premise and says he is inclined to give no jail time. He also tells Cutter that he didn’t do his homework.

Outside the courtroom, Hauser’s brother is waiting and challenges Cutter on what that all meant. He clearly is angry that his brother’s killer is going to get off, and he blames Cutter. Later, at a bar, Lupo, Bernard, and Rubirosa are crying in their beer, and Rubirosa looks a tad “loose.” Their pagers go off, and they are called to a crime scene. It appears that the Fonsello and the Hauser friends had a huge fight and 2 are dead, and 11 are injured, more may end up dead. Some arrests will be made in the hospital ER. Bernard states dryly, “ Justice…by other means.”

At the hospital, Hauser and one of the Fonsello people clam up and won’t admit to anything. Anita is approached by the wife of a man who appears to have been an innocent bystander who appears to have died at the hospital (the death toll is upped to 3 at arraignment). She asks Anita why they were fighting. As the police try to cuff the men to take them away and they scuffle a bit, Anita must remind them not to cuff them together,.

Later, the entire group is being arraigned for rioting in the first degree. One attorney, Mr. Reardon (Josh Hamilton), is appointed spokesperson by the judge and they assume all will plead not guilty, and are released on $10,000 bond each.

At the DA’s offices, Jack said they let the case get away from them, and wants to see every one of them charged with murder. Cutter says that it will be hard to prove as it was a free for all. McCoy chides him, saying “It’s too early to tap out, Mike.”

Lupo is looking at video of the fight that he found on the Internet. It shows three of Hauser’s acquaintances from work and a hockey team – Jason Kimmel, Neal Whitman, and Adam Neville – beating up on Fonsello. Cutter wants them all arrested but Rubirosa says unless they can find who shot the video that won’t happen. It was uploaded at an Internet cafĂ© by the phony user name “I Was There” who Rubirosa says they won’t find in the phone book. Cutter asks, “Did you show me this video just to annoy me? This is our best evidence.” Rubirosa reminds him that they don’t have the original and can’t demonstrate who made it, but Cutter says the defense doesn’t know that. They use this to negotiate. But, Reardon calls them on their bluff, and Cutter's attempt to get the video admitted doesn’t work when the judge throws it out for the same reasons that Rubirosa had previously mentioned. The murder charge is dismissed.

Outside the courthouse, Jack makes a plea to the press for help, specifically asking the person who made the video to step forward. A reporter accused his office of negligence by letting Fonsello off so easy, and Jack counters that he was charged properly and they did him no favors. But , when another reporter asks him why New Yorkers should support him should he decide to make another run for DA, he counters with “ Watch what I do, that’s you’re answer. “

Back in the DA’s office hallway, Jack seems angry, saying “I’m not doing that again” meaning begging for help. He has to be able to stop these kinds of crimes and says they still need to proceed with the case. Rubirosa says that she did find a statue that would allow them to prosecute them for terrorism. When Cutter seems to discount that, McCoy says that he recalls the statute and it was worded pretty broadly, and asks how she would apply it. He seems to like her approach that because it was an attempt to intimidate the public or impede government business because they didn’t like the way the criminal justice system did its business. Cutter seems to resist, thinking that Jack only want to charge the three involved in Fonsello’s death. But Jack wants to go for broke, charging them all. Cutter is concerned, because the terrorism statue carries a life sentence – do all those people deserve life? Jack says let the jury decide. “You just get me the indictments” and he marches off.

In the courtroom, Cutter goes for broke and states his case. The judge likes his intriguing theory. When he gets his way and survives the motion to suppress, he mutters to Rubirosa, “Just because I can parrot the party line doesn’t mean I buy into it.”

The detectives work with Cutter and Rubirosa in their office. Jack walks by, overhearing them debate the premise of the case. Lupo states, not knowing Jack is listening, “It sure makes a hell of a sound bite when you’re running for re-election.” Jack steps into the fray. He chides Lupo for using his limited law study to suddenly become an expert on the law, but that Lupo counters that he understands terrorism because he has actually worked real terrorism. Lupo doesn’t like the prospect of being used, and says “When a cop stretches the rules, we get slammed. When you do it we’re supposed to hear the angels sing” He agrees to testify but tells Jack if uses his resume to make his case that Jack won’t like what he will hear. Lupo storms out. Bernard, left behind, looks sheepishly at Jack, and says “I’ll talk to him. “ Jack tells Cutter to take Lupo off the witness list, and Cutter sarcastically says that it’s easier than deciding if Lupo actually has a point.

On the witness stand, Cutter is questioning the wife of the innocent bystander who was killed. The defense attorney asks her about her 9/11 experiences. She said it felt like they were in a war, and he ends his questioning. Bernard is testifies for the prosecution on what he saw and found at the fight. The defense questions whether the defendant expressed political views. But Bernard gives added commentary on the subject of neighborhood gangs, and his response is stricken from the record. Cutter redirects, and asks Bernard to elaborate on his answer, and he talks about how these types of incidents do incite fear.

Hauser’s brother is on the stand for his defense, talking about his anger over his brother’s death and how the fight got out of hand. He expresses remorse over the death of innocent people, but said they weren’t trying to make a statement. He talked about his job as a firefighter and expresses concern about being sent to jail for life. Cutter cross examines, and manages to extract from Hauser that his actions and words did indicate he was trying to make a political statement about the justice system, so people would think twice in the future about making deals.

In closing, the defense indicates that the prosecution doesn’t have a clear case so they expect the jury to pass judgment. Cutter, however, calls the street fight an attack on the institutions we hold dear, and that they wanted to substitute their justice for due process. He makes a good close.

Back in Jack’s office, Cutter seems concerned that it’s taking 5 days so far for the jury to return a not guilty verdict. Jack seems to have more confidence in Cutter than Cutter himself. Rubirosa gets a call that a fistfight had to be broken up in the jury room, and leaves the room. Cutter closes the door to speak privately with Jack. Cutter seems to think that Jack is crossing the line, which was OK when Adam Schiff had his back, but not now when he’s on his own. He’s worried that Jack will look like a fool, not to mention how it will affect the credibility of the DA's office. He said Jack made his point, he proved he can protect the city, now he should prove he has the wisdom to back down when he’s doing more harm than good. Jack blank look may mean like he is considering it.

Later, Cutter and Rubirosa come into the courtroom with a deal, which is accepted. The terrorism charges, which carried life, are dropped. Jack has another press conference on the courthouse steps, and he says they made a just and fair resolution and it also means that the city can rest easier knowing mob violence won’t be tolerated and justice will prevail. He also puts his hand on Cutter’s shoulder and praises Cutter, who brought sense and reason to the outcome. Cutter gives Jack a surprised, then happy look as Jack smiles at him too. (Awwww, looks like love!) As Jack walks off, a reporter is heard asking McCoy, “Have you been asked to join the Obama administration?"


For a season opener, I think it was a solid start. Lupo and Bernard seem to be an average team, they’re not bad but there’s also nothing particular special about them either. Sometimes I still have a hard time hearing what Sisto is saying as his voice is so deep and he doesn’t seem to speak very loudly. They also seem to be giving Bernard the “Lennie” lines, but he doesn’t delivery them with the same wryness that Jerry Orbach did. I admit there probably won’t be any other detective on this show that will measure up to Lennie Briscoe, so it may be unfair to me to compare others to him. Still, I think they are giving Bernard lines that have some possibilities. But, it seems that Lupo and Bernard come form different places - with Bernard having more street knowledge and Lupo maybe more of a "big picture" and this may help them complement or balance each other in the future. It could cause friction later, although Bernard seems to be more of the level headed one right now.

Overall, the cast seems to have good chemistry. I liked when Lupo, Bernard and Rubirosa were in the bar, and I swear that Rubirosa looked like she almost had one too many. It also seemed to show that Cutter seems to separate himself from the rest of them.. Along with his resistance with Jack and Connie on their approach to the case, it almost seems like they are purposely trying to separate him from the others, which seems to make him appear aloof. I don’t have a problem with that because the aloof and distant Cutter seems to resonate more with me than last season, where it seemed like all his office “toys” and props were being thrown at us every week.

And Jack is back - the person who won’t give up and is willing to take the risks and go for broke. But, there is another side to Jack: the man who will have to run for re-election to keep his job. It seems a good sign that he tells the reporter to “watch what I do” but at the same time, it was a little concerning that he got a little hot under the collar that he got embarassed at the conference by having to beg for help. It seems that Jack probably understands more and more what his predecessor Adam Schiff had to go through, and why Adam was always rubbing his head every time Jack proposed something off the wall.

It also seemed like the relationship between Jack and Cutter is a complex one. Cutter seems to be frustrated at Jack’s maverick streak, but is it worry over the risk Jack is taking with the image of the DA's office, or it is concern over protecting Jack’s himself? I would think it might be more of the latter, since Cutter may believe he’d rather work with Jack than someone new in the DA’s chair. But it’s clear that Cutter has become less of a risk taker over time, and is not the same Executive Assistant District Attorney that Jack was. I would imagine over time that Cutter will learn more from “the master” on when it’s OK to take the safe route, and when to think outside the box.

Rubirosa seems to have learned well working for Jack, because she consistently seems to come up with creative ways to prosecute. I really like the transformation of Rubirosa that started last season and she’s coming across as being one of the most confident ADA’s they’ve had in a very long time.

It also seems like there is trouble brewing between Lupo and the DA’s office. Jack may be right, Lupo is using his limited law knowledge possibly to the wrong end. But Lupo also nailed it with his comment that “When you do it we’re supposed to hear the angels sing.” Well, sure, everything than Jack says makes angels sing! What a silly statement that was that Lupo made. I always hear angels, don’t you? Seriously, I think that line was a reflection of the general Jack McCoy/Sam Waterston fandom, who thinks neither Jack, nor Sam, does any wrong. Ever!

Sure, the case gets a little preachy at the end, but as Bernard said on the stand, sometimes these types of day-to-day violent actions have repercussions on people and can create fear. It is disturbing though, that the rules can be bent to the extent that maybe the law did not initially intend. This may have been a subtle statement against the Patriot Act and other anti-terrorism laws, aimed against terrorists of one accepted definition, but that could be used to apply against other crimes if stretched. Did Jack stretch the law too far just to make a point and give him the edge for reelection? That may have motivated him a little, but I also think that the Jack McCoy that just wants to do the right thing and prosecute criminals of all kinds may have had more to do with it.

The episode feels comfortable, the characters real, the situations believable. It’s nothing like Law & Order SVU, which as of late seems to be a vehicle to promote a guest star of the week, and improve Emmy chances for Hargitay and Meloni. The original Law & Order is about the law, and the characters in the show come along for the ride. It’s great to have an established character like Jack McCoy that can be counted on to help bring home the bacon, and Jack’s appearances don’t seem too contrived. They seem necessary to further the plot, all the while giving the character of Michael Cutter room to grow and become more centered. And that is what makes Law & Order so good. It’s dependable and it almost always comes though.


AS far as Jack McCoy and Michael Cutter, I think there is love in the air.



Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.

Tuesday, November 4, 2008

Sam Waterston’s March Into TV History

One of My Favorite Pictures of Sam


Here’s an interesting article about Sam Waterston, which includes some commentary from the man himself about his long stint with Law & Order. Let's be honest here: Law & Order would not have survived so long without Sam.

Year after year, Sam Waterston returns to ‘Law & Order'

Sam Waterston's long march into television history continues Wednesday night.

Waterson has played the crusading Jack McCoy in 327 episodes of the NBC crime drama "Law & Order." It becomes 328 Wednesday when the 19th season opens.

Only a handful of actors have played the same role on a prime-time scripted series longer than the "Law & Order" star. That includes Waterston's co-star S. Epatha Merkerson, who portrays Lt. Anita Van Buren, with 350 episodes.

The all-time champ is James Arness, who walked the streets of Dodge City as Marshal Matt Dillon on 616 episodes of "Gunsmoke." Others ahead of Waterston include: "Bonanza" stars Lorne Greene (415), Michael Landon (398) and Dan Blocker (394); "Knots Landing" stars Michelle Lee (344) and Ted Shakelford (333); and "Dallas" star Larry Hagman (357 episodes). Just for the record, Kelsey Grammer played Frasier Crane in a total of 464 episodes if you count both "Frasier" and "Cheers."

Waterston never dreamed back in 1994 when he signed on to play the role that he would be reaching such a longevity record in 2008.

"I had no idea how long the show was going to last. But I knew I would only be with it for a year," Waterston says during a telephone conference call with television critics.

Waterston, 68, has signed a one-year deal each season. The actor says series creator Dick Wolf made a clever creative move by giving Waterston one-year deals each season.

"It's part of the reason why I'm here so long," Waterston says. "They have made a long leash and allowed me to sign up year after year after year. I never felt imprisoned here. I've always felt free to stay. Free to go."

That freedom has allowed Waterston to take chances and shape the character so the audience would find him interesting. But that doesn't mean there are major personality changes coming to Jack McCoy.

"The character has been long established. The main thing is not developing him but keeping him consistent with himself. I'd say that's partly my job and partly the writers' job," Waterston says.

The Emmy and Golden Globe winner's role has changed slightly in recent years. Linus Roache took over courtroom duties with his role as Michael Cutter, executive assistant district attorney. Waterston took over the job as district attorney.

The career change for Waterston's character did not make the actor question his place with the show. Waterston thinks "Law & Order" has the best writing, acting and direction in television. And because of the quality he sees and experiences, he thinks he has the best job in TV and wants to stay as long as Wolf and the network want him.

Thanks to reruns, it amuses him how viewers have been able to see him age over the years.

He laughs and says, "I look back and I think why didn't I enjoy myself more? I don't look any better today than I did then. I should've just counted myself lucky to be as presentable as I was."






Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.

Monday, November 3, 2008

Dick Wolf Talks Law & Order and the New Season

I think I’ve seen the article asking if Law & Order can outlast Gunsmoke a million times from a million different places over the last few days, so I won’t add it here. (Of course it will outlast Gunsmoke, by the way.) Instead, here’s an article that includes information from Dick Wolf and his take on the show and the new season that I thought was interesting.

Don’t forget, you can get the episode information for the November episodes of Law & Order here and for Law & Order SVU here.


"Law and Order" gripped by murder on Wall Street
October 31, 2008
By Jill Serjeant


LOS ANGELES (Reuters) - In a story seemingly ripped from current headlines, "Law & Order" begins a new season next week with an episode featuring a New York stockbroker who is beaten to death in broad daylight.

As Wall Street grapples with the worst economic crisis in decades, the episode is one of those uncanny coincidences that has kept viewers tuning into the longest running prime time drama currently on U.S. television.

But series creator Dick Wolf said the November 5 season opener was "just an unfortunate but amusing coincidence" because the episode was written months before the financial collapse that has brought turmoil to anyone with a mortgage, savings account or mutual fund.

"It was obviously written before the crisis hit but we have over the years been prescient," Wolf told reporters on Friday. "A lot of things have shown up on the show almost simultaneously with events that have occurred in real life."

As for the current economic melt-down turning up in future episodes of the New York-based crime drama -- perhaps in the form of white-collar financial crime -- Wolf was uncertain.

"It is a question of coming up with a story that starts with a murder that is interesting and that does not appear to just be exploiting a specific situation but utilizing it as a lens as to what's abroad in the land," he said.

Polygamy and the environment are among other themes in the 19th season of the show, which is bidding to surpass the classic western "Gunsmoke" as the longest running prime time drama series in U.S. television history. "Gunsmoke" aired for 20 years from 1955 to 1975.

Wolf, 61, says "Law & Order", as well as its "Special Victims Unit" and "Criminal Intent" spin-offs, has never run short of ideas, partly because the writers use the front page of the New York Post tabloid as a kind of bible.

"It (the New York Post) has not been a bad piece of source material. We can't come up with stories better than the headless body found in the topless bar. For years, we have stolen the headline, but not the specificity of the body copy," he said.

As for the longevity of the show, which is still a ratings stalwart for NBC despite many changes of cast, Wolf called himself "one of the luckiest people in the history of show business."
"The odds of this happening to anybody are slim to none and I am the beneficiary of the hard work and dedication of hundreds of people."


Check out my blog home page for the latest Law & Order information, here.

Also, see my companion Law & Order site,These Are Their Stories.