Showing posts with label Paterson Joseph. Show all posts
Showing posts with label Paterson Joseph. Show all posts

Thursday, April 24, 2014

Law & Order UK “Hard Stop” Recap & Review


Law & Order UK “Hard Stop” may be one of the best episodes ever in all of the Law & Order UK series. It was also Paterson Josephs’ final episode, as his character DI Wes Leyton, is shot and killed within the first two minutes of the story. The episode was based on the original Law & Order episode “Criminal Law” (season 16, episode 9) - a memorable episode all its own - where lead characters were in danger but no lead was killed.  I enjoyed Paterson Joseph in this role and am sorry to see him go.  It will be interesting to see how the MIU team responds to another change in leadership.

This was an exceptionally well written story which delivered not only high drama, but also deep emotion. The beloved Ronnie Brooks, in an outstanding performance by Bradley Walsh, is clearly rocked by Wes’ murder, yet he keeps a stoic outlook and continues to soldier on and work the case without letting others know how, or if, it affected him. The final scene,  where we hear Ronnie’s voice reading the letter he wrote to Wes in the condolence book,  was a true tear-jerker, and I imagine that everyone watching felt their heart sink as Ronnie asked the store clerk for that bottle of vodka. (I heard myself saying "Ronnie, NO!")  After paying for the vodka and as he walked out of the store, when the clerk yells that he forgot to take the vodka with him and he keeps on walking, relief comes  over me.   It was a scene that brought both tearful emotion and fear, followed by a cheer for Ronnie as he walked away from the booze.  Bradley Walsh, along with the wonderful writers over the years for Law & Order UK, have made Ronnie Brooks into one of the few fictional characters that I actually care about.  In the long run, I think Ronnie will be just fine...at least I really hope so.

I was also thrilled to see a story line which gave Peter Davison more to do than having Henry Sharpe give his usual bluster. Henry clearly is stressed by the threat to his own life, and, unlike Ronnie, Henry loses his cool in a very visible way.

“Hard Stop” was a phenomenal episode and there simply aren’t enough superlatives to describe it...although the first word that comes to my mind is "perfection."



Here is the recap:


Cast:
Bradley Walsh - DS Ronnie Brooks
Ben Bailey Smith – DS Joe Hawkins
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe

Guest cast:
Mark Bonnar - Mark Glendon
Elinor Crawley - Abby Glendon
Adelayo Adedayo - Kayla
Rachel Atkins - Cleo Finch
Priyanga Burford - Martine Leyton
Gerry Cowper - Hope Corday
Bradley Hall - Adam Glendon
Julia Hills - Hayley Ashburton
Alexander Perkins - Pete
John Rowe - Judge Silverton
Matt Sapsford - Armed Police Officer
Pip Torrens - Philip Nevins
Lauren Trickett - Cashier



At MIU, the detective and whole team celebrates DI Wes Leyton’s birthday. Wes’ wife Martine arrives to take him to a surprise. Ass Wes and Martine leave, she won’t spill the surprise. In the parking garage, a motorbike pulls up behind their car and blocks their exit. The rider steps of and steps up to Wes’ car window. When Wes asks “Yes mate, what’s the problem?” the rider pulls out a gun and shoots twice, point blank, at Wes. Martine screams.

Later,  Wes’ body is zipped into a body bag as forensics comb the scene. Ronnie speaks with Martine, sitting in an ambulance, who explains what happened. She is devastated and she sobs.

Ronnie speaks with Joe and finds there are no witnesses. Joe speculates if it was a carjacking; Ronnie says it was just a bloke on a motorbike. Joe gets a phone call and then  tells Ronnie that shots were fired in Dalston at the flat of another police officer. Ronnie thinks this is not a robbery, it’s an execution.

Ronnie and Joe leave MIU to find many reporters waiting for them. They don’t answer any questions as they race to their car.

At the home of Archie Morris in Dalston on Thursday, November 27, Ronnie, Joe, and other officers enter Morris’ flat. They find him dead in his bed. Ronnie hears a noise and they find his wife, hiding in the closet.

Later, outside, Joe tell Ronnie Morris’ wife hid as soon as she heard the shooting start so she saw nothing.

On Friday November 28, while walking on Bow Street, Joe tells Ronnie about a motorbike seen cruising near Morris’ home last night but not plates have been IDd. Ronnie, who is on the phone, stops in his tracks and asks the person on the phone if they are kidding him. He sighs as Joe asks what?

Later, with forensics at the scene of another shooting, there is a body of a woman, shot in the head, in a car park. Forensics confirms there were 9mm casings, The woman’s ID says her name is Susan Lewiston who works at Domestic Violence Services, a refuge worker. Her car was parked outside the office.

That same day, inside Greenwood Women’s Aid in Friday, they speak with a manager who said Susan worked late, and she heard and saw nothing. They deal with women with abusive and controlling men. Susan has not received any recent threats. She had been shot before, about 4 years ago. She had been walking a woman to a car and her husband walked up and started shooting. Susan was injured but the woman was killed. Susan gave evidence at the guy’s trial and he was put away for it. She asks if he is still in jail, and Joe says they will follow up. Joe asks to see Susan’s recent case files. As she looks for the files, Ronnie, agitated, comments that a woman gets shot in their car park and lays in the car all night dead…and Joe tries to cut him off but Ronnie continues and asks that no one heard anything? Joe tells Ronnie he’s got this.

Outside, Ronnie wonders if it is an aggrieved husband why shoot Wes and Morris? Joe wonders if it is random but Ronnie says the scenes are the same and the casings are wiped down and thinks this is not your average nutter, this was planned. Ronnie thinks that the killer was parked nearby and waited for her to leave then drives into the car park and pulls up next to the car…and Joe adds “bang.” Joe sees a nearby camera and suggests they get the footage to see if they are right.

Monday, April 14, 2014

Law & Order UK “Hard Stop” Episode Information


Here are the details for a new episode of Law & Order UK, “Hard Stop."


Law & Order UK “Hard Stop” Air Date April 23, 2014 (9 PM ET/8C Wednesday on ITV)


When a series of shootings claims one of their own, Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) have little time to grieve – they must catch the killer before he or she can reach the next people on the hit - list.

And in first place on that list is Henry Sharpe (Peter Davison), head of the Crown Prosecution Service. The link between all the targets becomes clear - the common factor is the case of Mark Glendon (Mark Bonnar) put away for the murder of his wife four years ago.

But he is still in prison, though soon to be retried. However, the police struggle to find concrete evidence that connects Glendon to the shootings and the race is on the catch the killer before the jury delivers their verdict.

Cast list
DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison
Mark Glendon - Mark Bonnar
Abby Glendon - Elinor Crawley


# # #


My recap and review of Law & Order UK “Hard Stop” can be found at this link.



Promo for Law & Order UK "Hard Stop"

Check out my blog home page for the latest Law & Order information, on All Things Law And Order. Also, see my companion Law & Order site,These Are Their Stories.

Law & Order UK “Customs” Recap & Review


Law & Order UK celebrated its 50th episode with “Customs”, a story based on the original Law & Order episode “Ritual” (season 8, episode 10). “Ritual” was not one of my favorite episodes, I suspect due to the subject matter, which make me squirm just hearing about it. In “Customs,”  Safia Mahmoud kills her mother in law over her very real fear that she was arranging a procedure on Safia’s daughter Laila which would mutilate her genitals. There may be some weird customs in the world, but this one certainly is one of the most horrific, casing both physical and emotional trauma for any young girl forced into the procedure. In this particular case, the girl’s father is clueless about the real nature of the procedure and its after effects, likely only wanting it done for his daughter because his mother said so, and out of tradition.

Things seemed to have been going very well at CPS for Kate and Jake – until this case. Kate goes back to her defense mindset; she has difficulty keeping from the defense what she thinks are mitigating circumstances for the defendant's act of murder.  Kate goes behind Jake's back to convince the defendant to open up to her own attorney about her fears of female genital mutilation being arranged for her daughter.  Jake is clearly unhappy about this.   But, at the end, even Jake had to admit that Kate did the right thing by digging further into this case.

This episode had a great first half but a somewhat dull second half, despite the friction between Jake and Kate. I was hoping, as it was Law & Order UK’s 50th episode, there would be something thrilling to close the episode. But, based on some advance information on episode 7, I think we’ll be getting plenty of excitement to make up for it coming up on April 23, 2014. Stay tuned!


Here is the recap:

Cast:
Bradley Walsh - DS Ronnie Brooks
Ben Bailey Smith – DS Joe Hawkins
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe

Guest cast:
Gillian Saker – Kayleigh
Solomon Israel – Carl
Nicola Sanderson – SOCO Joy
Jessica Gunning – Angela
Gareth Snook – Giles Moss
Hara Yannas = Safia Mahmoud
Dhafer L’Abidine - Tariq Mahmoud
Ofrrie Haddi – Laila Mahmoud
Annael Mullion – Pathologist Eleanor
Glyn Pritchard – Graham
Akin Gazi – Dr. Yafeu Elsayed
Fraser James – Dr. Toby Marsh
Delroy Brown – Dr. Turnbull
Haydn Gwynne - Madeline Morgan
Gregory Floy – Judge Maisden
Shamaya Blake - Yasmin


A woman screams as she goes into labor. As her husband races her to the car to go to hospital, he sees a body laying on the ground – a person appears to have jumped. He calls for the police but then races to the hospital.


Later, DS Ronnie Brooks arrives on the scene and SOCO Joy is already there. The dead person is a white female and the only thing on her is her phone. DS Joe Hawkins also found nothing, and when he looks at the body, Ronnie notices the woman was not wearing a coat, despite the cold.

At MIU,  Ronnie speaks with DI Wes Leyton and explains the data on the phone was mostly in Arabic and Wes tells him to get a translator. Joe tells Ronnie the phone was registered to a Ranya Habib, and he has an address. Ronnie asks Joe how is his Arabic, and Joe says something in Arabic. Ronnie is impressed, that is, until Joe tells him it means “My hovercraft is full of eels” and that he is a big Python fan. Ronnie asks where they are going, and when Joe says Highgate, Ronnie tells him “no dead parrot jokes.”

At the home of Ranya Habib in Highgate on Thursday, March 20, police are taking out evidence and Joe shows Ronnie that he found a note in Arabic with a couple numbers – 779 LHR 355. Ronnie wonders if it is a flight number. Ronnie says he will see what they neighbors have to say.


Ronnie speaks with a neighbor Mr. Moss who says Ranya was not very tolerant and he heard her last night having an argument with somebody at about 11. The talking was in Arabic and it was like listening to burning cats. Her husband died years ago. Joe approaches and after Ronnie gives Moss his card, he walks off with Joe, commenting he was well rescued.

Back in the flat, Ronnie looks at the document Joe gave him and comments 900 grand and Joe says Habib Imports can be anything. Ronnie looks at a diary planner and sees dinner last night with Tariq, who Wes says is her son, and that today was all blanked out with the letters “YE.” Ronnie looks at the rest of the diary and notes that Ranya is very busy for someone planning to “clear her diary.”

As Ronnie walks down the stairway he smells bleach. He speaks with Moss again and asks who cleans the stairwell and he says they have someone who comes Tuesdays. Ronnie then turns to Joe and asks if this smells three days old to him and Joe doesn’t answer and Ronnie says it does not. Ronnie tells Joe to get the boys over her and get the place forensicated, wondering if the argument turned nasty.

At the Mahmoud home in Muswell Hill on the same day, Ronnie give his condolences to Ranya's son and wife. Their daughter enters and her mother tells her they must leave the men to talk. As they leave, they asks Mahmoud the last time he saw his mother. He explains she came for dinner last night and left just after 10. She seemed normal and cannot believe she would take her own life. They asked about the YE in her diary and her tersely asks how should he know. Ronnie reminds him they are only trying to do their job,

At the mortuary, the pathologist, Eleanor, says Ranya did not die of a suicide. The skull fracture, her injuries, and the fact there wasn’t enough blood on the road aren’t consistent with a fall form that height. It is more like a fall down a stairwell. Given her body temp at the time they found her, she had been dead at least a couple hours. Ronnie suspects she was pushed down the stairs and dumped at the other location. Joe’s phone rings and then he informs Ronnie the numbers on the paper were from a flight number 779 at 3:55 from Arab Air to Heathrow and Ronnie suspects YE was the person flying in.

At the airport, Ronnie and Joe find that there were two people with the initial YEs on the note that was due to fly in then. One was a 12 year old travelling with a family and the other was Yafeu Elsayed in from Cairo for 3 days. They see him on the video coming into customs and he is meeting Ranya. They get his immigration card and flight history which is very extensive. Ronnie sees he is staying at the Sovereign Hotel in London. Ronnie gets a call from Angie and then tells Joe the Sovereign can wait as they race off.

Back at MIU, Ronnie and Joe, with Angela nearby, discuss whether Elsayed is Al Qaeda and Joe tells Wes Ronnie’s terrorist radar is bleeping. Ronnie mentions there are multiple payments from Ranya’s account to various recipients including £6,000 to Elsayed, yesterday she picked him up from Heathrow and then they found her dead. He adds in the last 12 months, Elsayed has been to the Yemen, Libya, and Syria, and they can’t rule terrorism out. Wes tells him to tread carefully.


At the Sovereign Hotel, while Joe searches the room where Elsayed was staying, Ronnie speaks with a worker who knows nothing. Joe finds a receipt for sodium bicarbonate and nitroglycerin and Ronnie comments that is homemade explosives and he could have made that in the hotel room. Ronnie recalls Elsayed had another bag with him and wonders where is the other bag? The worker hasn’t seen it but when Ronnie asks if he knows where Elsayed was going, he points to the Tower Bridge, visible out the window. Ronnie puts in a call to Wes but has to leave a message for Wes to call him, it is urgent. Joe cautions Ronnie that they don’t know for sure, but Ronnie tells Joe to think about it: the risk of not taking action Is far greater. He gives Joe instructions on calling in other authorities.

Tuesday, April 8, 2014

Law & Order UK “Bad Romance” Episode Information


Here are the details for a new episode of Law & Order UK “Bad Romance.”


Law & Order UK “Bad Romance” Air Date April 16, 2014 (9 PM ET/8C Wednesday on ITV)

A bloody hotel room and a stolen credit card lead Ronnie and Joe to Charles Hutton (James Wilby), a member of the wealthy upper classes who dotes on his wife Camille, and daughter Georgia (Lucy Boynton).

Without a body it is difficult to ascertain the crime, but before long, Ronnie and Joe have enough evidence to suggest that Georgia gave birth in the hotel room – but where is the baby now?

Georgia and her boyfriend Rufus (Greg Austin) are difficult enough for Jake and Kate to prosecute but to make matters worse the defence counsel turns out to be an old nemesis of Jake’s, Maitland Cosby (Joseph Milson). But as the evidence against the young couple stacks up, how far will Georgia’s father go to protect her future?

Cast list

DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison
Charles Hutton - James Wilby
Maitland Cosby - Joseph Milson
Georgia Hutton - Lucy Boynton
Rufus Barton - Greg Austin

# # #


My recap and review of Law & Order UK “Bad Romance” can be found at this link.





Check out my blog home page for the latest Law & Order information, on All Things Law And Order.

Also, see my companion Law & Order site,These Are Their Stories.

Friday, April 4, 2014

Law & Order UK “Pride” Recap & Review


Law & Order UK “Pride” brought back Dame Harriet Walter as Natalie Chandler, a former MIU Detective Inspector. She’s tied into a murder via her father’s connection to the victim, a connection not made clear to Natalie or to Ronnie Brooks until close to the end. This episode was based on the original Law & Order  episode “Identity” (season 14, episode 6), and while both cases dealt with identity theft and murder, “Pride” uses this case to bring back Chandler.  This time she’s not as in control of the situation as she'd been accustomed as DI. Her desire to believe that her estranged father is not a murderer causes her to go off the rails more than once, despite promising Ronnie she’d stay out of the case and behave. Natalie gets her answer in the end, although it’s not the answer she’d like to hear.

This case was heavy on the detective work and light on the legal work, but this imbalance did not detract from the story. Harriet Walter always brought a stern, yet likable crustiness to Natalie Chandler, and it was nice to see her as the focus of an episode now that she is no longer a series regular. Clearly, Bradley Walsh is the cornerstone of this series and it has been truly interesting watching Ronnie develop over the years. Ronnie is one of those people that if he was your friend, you would have confidence he would move heaven and earth to help you. He risked getting in trouble with his boss yet again to help Natalie get to the bottom of her father’s involvement in a murder and fraud.

It was a very nice touch to see a scene where a bus comes into the picture with a large ad in the side with the words “Identity.” Not only was in an indicator of what was at the root of the murder, but it also seemed a homage to the original episode.

Each week, Law & Order UK continues to impress me. It’s one of a handful of shows that I actually look forward to each week.



Here is the recap:

Cast:
Bradley Walsh - DS Ronnie Brooks
Ben Bailey Smith – DS Joe Hawkins
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe

Guest cast:
Harriet Walter - Natalie Chandler
Martin Jarvis - Eddie Stewart
Roy Hudd - Felix Hargreaves
Laura Rogers – Sally Lester
Alexander Aze – Ethan Lester
Nicola Sanderson – SOCO Joy
Roxy Sternberg – Alice Edwards
Ella Kenion – Cashier
Matt Slack – Rob Hebden
Melanie Kilburn – Julie Perkins
Leila Hoffman – Florence
Jessica Gunning – Angela
Martin Jarvis – Eddie Stewart
Geoff McGivern – Geoffrey Sykes
Jack Beale – Clerk
Cyril Nri – Judge DeMarco
Fraser James – Dr. Toby Marsh
Michael Luxton – Paul Harrison


At the Lester home, as kids race into the house for a party, a woman screams as she opens a door to another room.

Later, DS Ronnie Brooks and SOCO Joy are on that scene where Neil Lester lay dead from a head wound from a paperweight. Ronnie and DS Joe Hawkins speak with his wife,  Sally Lester, and ask about her husband’s job and his recent actions. Things sound very good and Ronnie and Joe wonder who wanted him dead.

Back at MIU, Ronnie and Joe confer with DI Wes Leyton. There is a laptop missing from Lester’s desk, and there is no match on the prints on the murder weapon. The wife is not a likely suspect. They think there was something on the laptop. Wes tells them to find out why Lester came home early.

At AKDC Marketing on March 11, Ronnie and Joe ask about Lester’s job. The detectives ask why Lester went home early, and a colleague seems confused at the question, They find Neil Lester hasn’t worked there for 9 months, his job was cut.

On the same day, back at the Lester home, his wife was not aware of this. Ronnie gets a call and then asks Sally Lester about their finances, specifically a £160,000 in a savings account, deposited 3 months after he lost his job. She thinks they are mistaken.

Later, Ronnie and Joe are at LPB Bank and find the account was opened 6 months ago and closed it 24 hours later. It was transferred there by an Edward Stewart. Stewart recently took out another advance – a loan against the value of his property. They wonder what Stewart had to do with Lester,

The same day, at Lincoln Rise, they think Stewart took out a loan to pay Lester. When they knock on the door, a property developer answers. The house went to auction 3 months ago, the owner slopped paying his bills,

Back at MIU, Ronnie and Joe explain what they found and wonder if the two had a scam going. No leads on Stewart. Wes instructs them to continue to see if anyone knows anything about Stewart.

At Chiswick High Street outside Jimmy’s hair stylist, Joe tells Ronnie that the landlady hasn’t seen Stewart in 3 months and Ronnie comments that Stewart hasn’t been in Jimmy’s for a while. Ronnie complains there is no sense of community anymore and whines about texting and twitting. Joe calls him “gramps.”

At Julie's, having a meal, they hear Stewart was there about a month ago and get a suggestion to speak with Felix Hargreaves at the Community Center, he and Stewart were thick as thieves.

At Oak Reach Community Center, where the people look very elderly, they meet up with Felix to talk about Stewart. They were paratroopers in 1952 and had since moved to Australia. Felix blows them off to go back to the old ladies.

Back at MIU, Wes tells Ronnie that Angie tracked down a next of kin, a daughter who is in Finsbury Park. But Wes tells Ronnie to take a closer look at the file and Ronnie looks stunned.

At the daughter’s home, Ronnie decides to take the lead. When the door opens, it’s former DI Natalie Chandler that is standing there.

Inside Natalie’s home, she explains her mother’s death and then once Joe introduces himself, she asks what they are doing there. They ask about her dad. She last saw him 4 months ago. They explain he defaulted on loan payments and repossessed his house. Natalie explains he didn’t take it well when her mother moved in with her when her mother became ill. They explain they talked to Felix and Natalie doesn’t understand why they did that. When Ronnie explains Felix and Eddie were good friends, Natalie asks what is going on. They explain they think her father went into business with Neil Lester, and Natalie has never heard of him. Joe mentions the possible bank fraud and then explains Lester was found dead Monday afternoon.

Afterwards, outside MIU with Wes, Ronnie and Joe discuss Natalie’s reaction and they don’t understand why her dad got into that business at 78. As they enter MIU, Angie is there and explains they traced Lester’s laptop to a second hand shop in Shepherd’s Bush. They see a photo of the person who was at the shop and Ronnie recognizes the person in the photo.

Tuesday, April 1, 2014

Law & Order UK “Customs” Episode Information


Here are the details for a new episode of Law & Order UK, “Customs.”


Law & Order UK “Customs” Air Date April 9,  2014 (9 PM Wednesday ITV)

When Ronnie and Joe are called to a suicide it doesn’t take long for Ronnie to suspect foul play: Ranya Habib had no reason to kill herself. Although they are initially suspicious of a Dr Elsayed, recently arrived in the country to visit Ranya, they can’t find any evidence against him. Turning their attentions back to Ranya’s family, they soon suspect Ranya’s son, Tariq (Dhaffer L’Abidine) However, as the evidence comes in, it all points to Tariq’s wife: Safia (Hara Yannas).

Safia eventually admits that she killed Ranya but says that she didn’t mean to: it was in the heat of an argument and she refuses to say what the argument was about. Joe, however, thinks he knows: Dr Elsayed’s medical history includes the practice of FGM, female genital mutilation, on young girls - and he believes Ranya brought Elsayed over to perform FGM on Laila, Safia and Tariq’s daughter. Appalled by this, Kate struggles to remain professional and jeopardises her entire career leaving Jake to prosecute the case alone. Guest starring Haydn Gwynne.

Georgia Taylor, who plays Kate Barker, says: " Kate becomes very involved in this case; she believes it is not black and white and there are mitigating factors that have influenced what’s gone on in this family. Jake is saying ‘It’s not your place to question the morals of something, it is about the law. Did this person break the law – yes or no?’ Kate comes at it from an emotional angle and thinks maybe it was justified, so maybe it should be manslaughter. It’s not really her job to do that as she is working for the prosecution, but she can’t help herself getting involved. They come to blows and ultimately she takes a course of action which could jeopardise the whole case and her job..."

Cast list
DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison
Madeline Morgan - Haydn Gwynne
Tariq Mahmoud - Dhaffer L’Abidine
Safia Mahmoud - Hara Yannas
Dr Elsayed - Akin Gazi



# # #




Check out my blog home page for the latest Law & Order information, on All Things Law And Order.

Also, see my companion Law & Order site,These Are Their Stories.

Thursday, March 27, 2014

Law & Order UK “I Predict A Riot” Recap & Review



I don’t think there are enough superlatives to describe Law & Order UK “I Predict A Riot.” This was an expertly written story that delivered the drama,  both on the investigative side and the legal side.  The episode was based on the original Law & Order episode “Ramparts” (season 9 episode 11) and I think it was a big improvement on the original. The case begins with Ronnie and Joe working on a stakeout to catch a drug dealer, and in working that case, a car is found in the river with a body in the boot. Not only did they dredge up a car with a dead body, they also dredged up a decades old cover-up by some in law enforcement. A long time friend of Ronnie’s is in the mix, and CPS Director Henry Sharpe’s trust in Jake Thorne is hanging by a thread. Jake takes a big gamble with some creative legal maneuvering and, had it not been for Ronnie’s help, Jake would have lost big. At least Jake was willing to take the big risk in order to expose any corruption.

Not only was the story about the possibility of police corruption, it also addressed the racism that occurred in the 1980s, both inside and outside the police force. Joe gets a taste of present day racism while questioning Darren Grady when Grady mentions, staring right at Joe, that it was too dark to see the victim, who was also black. Grady also seems to have a similar problem with Wes.   Wes has difficulty impressing with Henry Sharpe the need to stay with the case, with Henry thinking this is just a crusade of Wes’. Henry was right to be cautious at first.  Winning the case OR losing it would likely mean trouble for the police or for the CPS. But Henry was also likely hiding these fears by claiming Wes had his own motives to pursue the case.

This episode included some great locations, staging of scenes, use of color and lighting, plus some fantastic camera work. I was amazed at the long scene in the courthouse where Jake, Kate, and Phillip walked quickly through the halls and up stairwells while the camera preceded their every step. It made me feel like I was right there. Visually, this episode was a pleasure to watch.

It was also nice to see Jessica Gunning, as the hard working Angela, return for this episode, even though it was only for a brief moment.

The episode was dedicated to the memory of Roger Lloyd Pack, an accomplished actor who portrayed Alex Greene, and who passed away shortly after this episode was filmed.



Here is the recap:

Cast:
Bradley Walsh - DS Ronnie Brooks
Ben Bailey Smith – DS Joe Hawkins
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe

Guest cast:
Roger Lloyd Pack - Alex Greene
Ralph Brown - DS Darren Grady
Craige Els – Dave Simmons
Lace Akpojaro – Frank
Pasha Bocarie – River Police Officer
Annabel Mullion – Eleanor
Ellen Thomas – Rebecca Houghton
Jenny Jules - Nikki Carroll
Antony Byrne - DS Pete Langham
Michael Cronin – Maurice Bennett
Graham Cole – Terry Wilson
Pip Torrens - Philip Nevins
Paul Darrow – Justice Prentice
Jessica Gunning – Angela
Don Warrington – Eamonn Callaghan
Chereen Buckley – Journalist


At Brentford Park on Tuesday, 18th March, DS Ronnie Brooks and DS Joe Hawkins are on a stake out at the park. They see their target and as they watch and hear a drug deal going down,  it appears their target has a gun. Joe radios that information to the others in the team as the other man gives the target the money. When the other guy moves to pick up the rucksack with the product, the target kicks him, grabs his rucksack back and runs. Joe radios to the others what is happening and Joe gets out of the car and chases the target. Joe and the others chase the target under a bridge and to the river, and the target – Dave Simmons – throws the rucksack in and Joe catches up to him and arrests him and reads him his rights. As others take Simmons off,  an officer asks Joe if Simmons had the heroin, and Joe explains if it was in the rucksack it’s in the river now and to call the divers to hopefully find it.

Later, with more officers and equipment on the scene, they are pulling out a car from the river. Ronnie complains to one of the officers he is supposed to be looking for a rucksack. They open the boot of the car and find a body inside.

Back at MIU, Joe, along with DI Wes Leyton, explain that Simmons squealed as soon as they found the rucksack full of heroin and admitted to everything. Ronnie is happy they can say goodbye to the drug squad, saying sitting around in cars all day is a waste of their time. Wes says the body in the boot is there so wrap it up as quick as they can.

At the forensics lab on March 19, they find from Eleanor that the body is a male between his late teens and thirty. Eleanor is not sure of the ethnicity but it is probably not Caucasian. He broke his collarbone at least 10 years before he died. She can’t say if the head wound is the cause of death and thinks the skull fracture happened before he was dumped. When Ronnie asks how long she thinks he’s been down there, she explains that the body has near compete decomposition, anything between 25 and 30 years.

Back at MIU, Ronnie and Joe explain to Wes that the last registered keeper of the car was Rebecca Connor in 1984 and after that there are no more records. They are trying to track her down now and also looking for missing persons around that time and this may take a while. Wes reminds him he told him to make this quick, and  he instructs them to give the grunt work to someone else and instead help him out and clear it off their desks.

At Houghton’s Hairdressers the same day, they speak with Rebecca (now Houghton)  about the car and she said she sold it for cash. She needed the money so she sold it to Nikki Carroll. She said they were in Manchester at the time.

Back at MIU, Joe finds on the computer there were no missing reports during that timeline, and Ronnie reminds him that up to 1988, everything at that time was hard copy or on paper and if you wanted a file, you had to literally get it yourself. As Ronnie holds on the phone to get an address for Nikki Carroll, Joe seems surprised they didn’t upload it into computers. Ronnie explains they started but ran out of money. Ronnie gets the address and says Nikki is in the database but not in Manchester. The known charges are breach of the peace, all outside police stations. Ronnie thinks she was an activist.

On the same day, Ronnie and Joe are at the Redway Community Center where Nikki appears to be holding a group session. She tells them she does not know who they’ve come to see, but nobody talks without a lawyer, she just got those kids to trust her. Ronnie and Joe explain they are there to see her and ask about the car. She asks of they’ve found it, and then looks panicked. She sits down and then comments after all this time, and then asks if they found him. Joe asks who is it she thinks they found, and Nikki, looking more distraught, thinks they found her brother.

Later, she explains her brother broke his collarbone going over the handlebars of his chopper. She lent him the car. His name was Taylor Kane. He came to London for his job, and Ronnie recognizes the name as a police officer, saying she is Nicky Kane’s daughter. Ronnie recalls her mother campaigning to find her brother. She said it was the summer of 1985, they didn’t know exactly when. She explains how they tried to find him and they got people to support them. But the death ate at her mother like cancer and she died . They set up trust and got charitable status but over time, support went away. Everyone gave up on him except her and her mother, Joe says they believe he was murdered and they won’t give up on him.

Back at MIU, Wes recalls the Kane Trust and it started and ended with the mother and daughter, but at its peak they got press coverage and they were lobbying Parliament fighting for the rights of ethnic minorities. They were a force for good but the establishment didn’t think so. This is why the family was angry – the police line was always there was nothing they can do. Joe says Nikki is the last one left, she has no kids or siblings and her mum is dead. Wes recalls meeting Nikki’s mother and says she was a formidable woman but you could see the strain in her eyes. They owe her a conviction. He tells them to go back to the beginning and this time they will do it properly.


At the General Registry Office on the same day, they find Taylor completed his training in 1982 in Manchester and he went to London in 1984. Joe says Taylor had a handler, and thinks he was undercover. Ronnie comments there weren’t many black undercovers in those days, there weren’t even many black officers. Joe thinks this explains why he was out of contact with his family and others. Ronnie says being under the radar is part of the job and maybe that is why Maggie Kane could not get support from the force. Joe finds and end of service form signed and dated in July 1987. Ronnie wonders why they would have done that without a body. Joe says it was signed off by the Chief of London, Alexander Greene, and for the Northwest Police, Maurice Bennett. Ronnie knows them both. Ronnie says Bennett was a great copper and great teacher and his reward was getting Manchester. The handler’s name was Pete Langham.


At the Chiswick Police Station on March 20, they speak with Peter Langham who says he lost touch with Taylor Kane, Taylor was UC and he couldn’t just knock on his door and he explained all this at the time, even to Taylor’s family. He last saw him the night after the Brixton riots kicked off. They met at a copper’s pub in Lamberth, The Singing Sparrow, they didn’t want to meet there were there could be careless talk so they met down the road. Taylor said he was scared, and who could blame him? They thought they had lost control of the street. Joe asks if anyone can corroborate that meeting, and Pete says no, they just have to take his word for it. Ronnie asks who Pete was drinking with and when Pete tells him he does not know, it was long time ago, Ronnie counters that if he went back to the archive and found his little blue diary that may jog his memory. Pete says if it was anyone it would have been Darren Grady, they trained the guy.

Monday, March 24, 2014

Law & Order UK “Pride” Episode Information


Here are the details for a new episode of Law & Order UK, “Pride.”


Law & Order UK “Pride” Air Date April 2, 2014 (9 PM ET/8C Wednesday ITV)

The death of a seemingly innocent family man leads Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) to go on the hunt for the murderer. But what they find is that the accused is Eddie Stewart (Martin Jarvis), a man in his 70s who just so happens to be Ex-DI Natalie Chandler’s (Harriet Walter) father. It is a tough day for Ronnie as he has to deliver the news to his old friend.

No one can understand why Eddie would commit murder, least of all Natalie who argues with Jake (Dominic Rowan) when she confronts him over the charge against her father. Jake is sympathetic but there’s nothing he can do without Eddie’s cooperation. Natalie wastes no time in getting Ronnie to go above and beyond to help her find the real killer, even if that means getting him into trouble with a frustrated Wes (Paterson Joseph). But, how far is Ronnie willing to go in order to help his friend? Guest starring Roy Hudd.

Cast:
DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison

Guest cast:
Natalie Chandler- Harriet Walter
Eddie Stewart - Martin Jarvis
Felix Hargreaves - Roy Hudd


My recap and review of Law & Order UK “Pride” can be found at this link.








#  #  #

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Also, see my companion Law & Order site,These Are Their Stories.

Friday, March 21, 2014

Law & Order UK “Safe From Harm” Recap & Review


Law & Order UK “Safe From Harm” was based on the original episode Law & Order “Betrayal” (season 18 episode 11).  I didn’t recall the original episode right off the bat but it came to me rather quickly as the episode progressed. But even knowing generally how the original story played out didn’t affect my enjoyment of “Safe From Harm” one bit.

This is only the second episode with Ronnie and Joe as partners, and I think this match works well. With both actors being experienced with comedy, they both bring their talent with comedic timing which makes each scene, serious or not, seem very real and comfortable. Ronnie clearly has the experience as a detective, but Joe is bringing a fresh look to working the case. Of course, Joe thinks that he has the magic touch with getting information from the younger crowd, but he quickly finds out that Ronnie’s matter-of-fact approach is one step ahead. Ronnie is smart enough to let Joe do the running when having to chase after a possible suspect.

Henry Sharpe – played by Peter Davison – has an influence on the case that is outside the boundaries of his position. I wouldn’t call it playing dirty; sometimes one has to pull out all the legal stops to help win a case. In this instance, he reveals to Jake and Kate that he has a past relationship with a female doctor who is giving evidence as an expert witness. She thinks it’s a low blow on his part to reveal she had an inappropriate relationship, but Henry is just using the facts to discredit her sanctimonious opinion which risked damage the CPS’s case. Henry Sharpe is one of those characters where I would like to see a little more back story,  maybe because Peter Davison is so likable.

Jake and Kate are now working as a solid team and they seem very comfortable together. It was amusing to see Jake, at the end of the case, realize that he and Kate were giving credit to others for the win. That’s a sure sign that they feel good about working together.

I thoroughly enjoy Law & Order UK. It doesn’t matter that the stories are based on previous Law & Order episodes. It’s all about having a solid cast that fits well together, great writing and storytelling, and the actors' ability to portray believable character in a believable story. They get high marks in all these categories.


Here is the recap:

Cast:
Bradley Walsh - DS Ronnie Brooks
Ben Bailey Smith – DS Joe Hawkins
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe

Guest Cast
Hattie Morahan – Alison Gardner
Mark Frost – Doctor Philip Gardner
Nicola Sanderson – SOCO Joy
Jude White – Riley Gardner
Holly Earl - Lisa Gardner
Clive Hayward – Jonathan Shale
Antonia Clarke – Anna Sands
Emma Davies – Mary Sands
Greg Patmore – Barry Downing
Scarlet Milburn-Smith – Heather Downing
Ted Reilly – Paul Downing
Mandana Jones – Dr. Antonia Carey
Ramon Tikaram – Vijay Prasad
Carolyn Pickles – Maureen Riley
Adelayd Adedayo – Kayla
Cyril Nri – Judge DeMarco
Damian Kell – Willima Farmer


Dr. Philip Gardner is speaking to someone unseen, saying he could have left, and he could have walked away, but he didn’t, even though it was wrong. He wants this person;  he doesn’t care what the law says, “I’ve always wanted you.”

Later, Philip Gardner, a child psychiatrist, 50 years old, is dead on the floor of his office. He is married with 2 kids and lives just around the corner. DS Ronnie Brooks and DS Joe Hawkins are at the crime scene with SOCO Joy. They learn that Gardner was found by the cleaner, there were multiple stab wounds and the wounds are deep from a large blade with possibly a serrated edge. Joe calls Ronnie over and shows him a secret room off the office with a small bed in it. Ronnie wonders if it is a place to sleep – and Joe wonders if it is a place for sex.

At the home of Dr. Gardner on February 13, Ronnie and Joe speak with his wife Alison and she explains his hours are erratic. Sometimes he sleeps in the office on the couch, she supposes. She explains this morning she had to get the kids to school and walk the dog at Regent’s Park. Joe says they need to speak with his children to confirm that, and Alison explains she hasn’t told them yet and she asks for time so they can adjust.  She goes on to say that after she walked the dog, she came back and now they are here. Her kids walk in the room and her son says they let them home early, and seeing the detectives there, her daughter looks concerned.

At MIU Central Headquarters that same day, Wes introduces Ronnie to Jonathan Shale, who will be examining Gardner’s patient files and can answer any questions without breaching patient/doctor confidentiality. Ronnie asks that Jonathan can look through the file but they can’t?, asking what is in there? Jonathan says he will help the best he can. Jonathan says Gardener worked with kids 13 and upwards, in children with deep emotional issues, and if that is what they are looking for, they will have their hands full. Joe tells Ronnie that in some of the stuff they pulled from the hidden room, they have a loyalty card from a café, a face cream that cost 200 quid, and skateboard wax. The café is next to THE skate park. Joe thinks this is a good lead, that the cream indicates a rich girl with emotional issues who hangs out with the skater boys. If Ronnie is worried, Joe can hang back and Ronnie can go it and dazzle the kids with his skating skills. Ronnie agrees.

At the Southbank Undercroft on February 13, Ronnie and Joe question a few kids and some who point out Anna for Ronnie. But Joe isn’t having much luck and Ronnie jokes at Joe about how Joe was going to charm the kids with his cool talk. As Ronnie walks over to where Anna was standing, and Joe moans he doesn’t know where to start, Ronnie says that’s OK, Anna does. Anna hears her name and bolts, and Ronnie tells Joe not to just stand there. Joe chases after her, calling out that he is police. She eventually runs into a fenced off area and tells Joe to get away from her, he can’t make her go back. He explains he is not going to hurt her but she reiterates he can’t make her go back – to her.

Back at MIU, Anna is in interrogation while Ronnie and her mother Mary watches from the video room. Mary says Anna has been staying with a friend all week, she doesn’t like her boyfriend – any of her boyfriends. Anna won’t pick up her phone if she knows it is her mother. She sees Dr. Gardner and is fine with him but when you’re throwing bricks through pub windows and burning the curtains you need all the help you can get. She sees him twice a week and costs her a small fortune and somehow she is still a bloody bitch.

In interrogation, Lisa tells Joe she doesn’t know why she is here. Ronnie enters the room and explains he has been talking to her mother, and she was telling him about Dr. Gardner. He asks what he is like, and she says he is the best. Joe mentions the things of hers they found in her office, and she asks is this about her staying at Phillip’s? Joe comments he thought she was staying with her boyfriend, and she says wow, you got me. He told her not to tell anyone. He didn’t do anything, saying they have a dirty mind. He had strict rules about behavior and a curfew and asks if he is in trouble about this, it is unfair. Ronnie and Joe are silent, then Ronnie explain Gardner died last night, he was murdered. She looks shocked. She thinks they are lying. They try to get her to help them to find out who did this and Joe asks her to think. She explains there was this boy, one of his patients, who was going to bring a knife to school, Philip was sorted it out. She can’t believe he is dead.

Later, at the home of Paul Downing on February 13, Paul’s father knocks on Paul’s bedroom door while Ronnie and Joe stand by. Paul doesn’t respond so Joe tries and says he knows Paul had a real shock but they need to talk to him about Dr. Gardner. Paul’s sister calls out to her father, saying Paul is on his web cam. They go into another room and see Paul on his web cam, telling viewers that the police are here and they say Gardner has been murdered. He trusted the doctor who said everything would be OK but now he feels like everything has gone black again. He takes a knife and slices it at his own neck, and Joe and Ronnie and Paul’s day race to the bedroom. Joe breaks down the door after a few tries and moves in to assist Paul. Joe puts pressure on Joe’s neck and urges him to stay calm. Paul says he does not want to live or do it anymore.

At the psychiatric wing on St. Thomas Hospital on Friday, February 14, Ronnie speaks with Paul’s father, asking if Paul was with him the whole night Dr. Gardner died. His father says no, since he was taken off the medication, he goes out at night to clear his head. Dr. Gardner took him off the meds and it scared him, which is why he stopped the sessions, Paul went ape about it. Joe enters and explains they are transferring Paul to the psychiatric ward now. His father walks off. Joe tells Ronnie that Paul seemed very upset when they told him Gardner was dead, and Ronnie agrees, and doesn’t know why t hose kids love the doctor so much. Joe wonders if he was abusing Paul, and Ronnie thinks maybe; Paul has no alibi and you take a mentally unstable lad and mess with his pills, what happens then?

Monday, March 17, 2014

Law & Order UK “I Predict A Riot” Episode Information


Here are the details for a new episode of Law & Order UK, “I Predict A Riot.”

Law & Order UK “I Predict A Riot” Air Date Wednesday, March 26, 2014 9:00 PM on ITV

Whilst helping out the drugs squad on a bust, Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) stumble upon a body that has been hidden inside the boot of a car in the River Thames. It turns out that the man was Taylor Kane, a black undercover policeman who went missing in the 80s, at the time of the Brixton riots. Through clever detection, unsettling evidence is unearthed as Ronnie, Wes and Joe raise issues that the police would rather forget. Wes (Paterson Joseph) finds himself personally putting his head above the parapet when he gets an unexpected visit from the Commissioner (Don Warrington).

Jake (Dominic Rowan) takes up the cause with Ronnie, Joe and Wes as defence barrister Philip Nevins (Pip Torrens), argues the case for his defendant DS Darren Grady (Ralph Brown). Accusations of are thrown around as our heroes get in deeper and deeper when the case hits the headlines and Kane’s sister, Nikki Carroll (Jenny Jules), comes knocking at their door. It is time to pick a side as friendships and loyalties are tested and careers are put on the line for justice. Guest starring the late Roger Lloyd Pack and Graham Cole.


Regular cast:
DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison

Guest cast:
Police Commissioner - Don Warrington
Philip Nevins - Pip Torrens
DS Darren Grady - Ralph Brown
Alex Greene - Roger Lloyd Pack
Nikki Carroll - Jenny Joules


My recap and review of Law & Order UK “I Predict a Riot” can be found at this link.




# # #


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Also, see my companion Law & Order site,These Are Their Stories.

Law & Order UK “Flaw” Recap & Review



Law & Order UK began series 8 with Ronnie getting a new partner, Joe Hawkins, and the CPS trying a murder case for the third time. The story was based on the original Law & Order episode “Refuge Part 1” (season 9, episode 23). Law & Order fans should be very familiar with that episode; it's where an ADA is brutally murdered by the Russian mob as she protects a witness, a young boy traumatized from seeing a murder. Lucky for Law & Order UK viewers that this episode did not have a similar ending.

DS Joe Hawkins, who replaced DS Sam Casey, dropped into the MIU without much fanfare and it feels like he’s been there all along. Despite one small misstep on Joe’s part early on, he and Ronnie seem to be working very well together by the episode’s end. Ben Bailey Smith is a great addition to the cast and I felt immediately comfortable with him.

Bradley Walsh again plays Ronnie Brooks with realism, and he remains a character that brings much depth to the investigative segment of the show. Like his American counterpart Lennie Briscoe, it is hard to imagine Law & Order UK without Ronnie Brooks. In this episode, Ronnie also gets some time on the stand, and much to his dismay, things don’t go the way he hoped.

Jake Thorne and Kate Barker seemed to have the kinks ironed out of their working relationship, at least for now. Jake now appears comfortable with Kate’s past experience working for the defense; using that to help prep Ronnie for what could be a tough session of giving evidence.

One point that seemed off was allowing the juror who had come to MIU with the intimidating message – along with severed hands - to continue to sit on the jury after she talked to the police. I would have thought that Ronnie or Wes would have contacted the CPS immediately in order to address the issue prior to the trial starting up again that day. How could the other jurors not see, or be influence by, that juror visibly crying during the testimony, if that juror would have been dismissed later? Even though the entire jury was eventually relinquished of their duty in lieu of a trial by judge, it seemed that it could have fanned the flames for a mistrial.

The end of the episode was very satisfying. Despite the setbacks, Joe finds a way to reach the critical witness to the murder which finally leads to justice being served. It was a nice introduction for a new character, and a happy ending for Ronnie and the CPS. No flaws here!



Here is the recap:

Cast:
Bradley Walsh - DS Ronnie Brooks
Ben Bailey Smith – DS Joe Hawkins
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe


Guest stars:
Helen Baxendale - Eleanor Richmond
Christopher Fulford - Mickey Belker
Michael Culkin - Justice Lockwood
Nikesh Patel – Tom
Jenny Rainsford – Beth
Alexander Perkins – SOCO Pete
Eric Kofi-Abrefa – Kris Akron
Nicholas Blane – Oswald Spear
Tracy Brabin - Lyndsey Bernstein
Ray Edwards MBE – Harry Bernstein
Duncan Pow – David Winkleman
Sidney Kean – Frank
Adelayo Adedayo – Kayla
Nicola Sanderson – SOCO Joy
Elly Fairman – Julie Taylor
Sonny Serkis – Danny Taylor
Habib Nasib Nader – Wilkeman’s Solicitor
Isabel Pollen – Rebecca Waldman
Rosalyn Wright – Miranda Jones
Peter Barrett – Dale Horgan
Diana Quick – Judge Hall
Jack Beale - Clerk

In the course of the police stopping a car for crashing a red light, rather than stopping, the car flees and a wild chase ensues. But the car being chased is hit by a truck while it cut through an intersection. The driver is dead, and a bloodied body is in the trunk of the car.

Later DS Ronnie Brooks is on scene. He’s told by SOCO Pete that the driver was a male in his twenties and the man in the trunk in his 60s and by the amount of blood, he was dead when he was put in there. Ronnie introduces Pete to his new partner, DS Joe Hawkins. Joe says the car was nicked this afternoon . Pete says there are no phones or wallets on the dead men, and the man in the trunk has no teeth and his hands have been cut off. Joe comments there are no fingerprints or dental information, and Ronnie quips that it’s a nice easy one to start him off with.

Back at the MIU, Ronnie informs DI Wes Leyton that there is nothing from missing persons about the man in the trunk. They did find traces of blood and oil in the blood on the driver’s shoes. Wes wonders if it is from a lock up or garage, There was a partial footprint in the passenger well with the same blood and oil, so they think the driver had a friend. Wes asks Ronnie how Joe is doing and as they watch,  Joe fumble at his desk and pull a drawer completely out and to the floor, Wes says Joe is lucky to have Ronnie to show him the ropes. Ronnie whines he doesn’t have time to show people ropes, and Wes grins and says “your job."  Joe tells Wes and Ronnie that they got a match on the driver, he’s Billy Knowles. Ronnie knew Billy is hired muscle. Joe also has the list of Knowles known associates. Wes grabs the coffee Ronnie just poured for himself and tells Ronnie maybe Joe can show him a thing or two.

At the Automotive Technical Institute, Ronnie and Joe question Kris who is working a car and who was a former associate of Billy nicking cars. Kris said that was his old life. He chooses not to go that way any more. The assault charges from 5 months ago were dropped, it was a case of mistaken identity. Kris studies and wants to be smart and a success and a pillar of the community. He tells Joe it is easy for him, Joe is higher up in the pigment-ocracy and shade-ism has its benefits. Kris says he was studying last night. He can’t remember when he last saw Billy, saying they’d have to ask him. Kris seems shocked when they tell him Billy is dead.

Afterwards, Ronnie asks Joe about shade-ism, and Joe says the theory is basically the closer to white you are, the better. Ronnie gets a call

At the forensics lab, the medical examiner tells them the other man was killed by blunt force trauma in the back of the head with a single blow. He thinks they used the same thing to know his teeth out. A hacksaw was used on his hands. But the doctor found a radio-cephalic fistula which is evidence of dialysis and says there are 27 dialysis centers in greater London and that particular kind of fistula is a surgical procedure. Ronnie mentions 27 centers, and Joe thinks about it and asks how may do surgical procedures? Ronnie quips they will make a detective of Joe yet.

At the home of Harry Bernstein, they speak to his wife Lyndsey who thought Harry was at the hospital last night. Harry had no enemies. She last saw him yesterday and he went to work. He never talked about work, he said to leave it at the front door. She suggests they talk to David Winkleman, his partner. Harry took him on as an apprentice, taught him everything, and trusted him, like a son.


At Bernstein & Winkleman, a jewelry store, Ronnie and Joe speak with David Winkleman who says business is good. They stopped cutting and polishing rough diamonds years ago, the Indians do it cheaper. Harry taught him to stay away from stolen goods, telling him not to look at the rocks, look at the face. Ronnie comments they do pretty much the same thing. David last spoke to Harry last night around 7, he was going to meet someone. He did not say, but at that time of night, he would have met them at Frank’s Noshery.

At Frank’s Noshery, Ronnie and Joe speak with Frank, who shows them the corner table where Harry met a Mickey Belker. Things were getting pretty heated; three times he went to take their dessert order and Harry wasn’t interested. Whatever Mickey was selling, Harry wasn’t buying.

Tuesday, March 11, 2014

Law & Order UK “Safe From Harm” Episode Information


Here are the details for a new episode of Law & Order UK, “Safe From Harm”.


Law & Order UK “Safe From Harm” Air Date March 19, 2014 (9 PM Wednesday ITV)

The stabbing of Doctor Gardner, a psychiatrist who treated teenagers and children, initially leads Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) to question his violent adolescent clients. However, when they uncover evidence that points to him having an affair with one of his patients, they begin to suspect that his wife Alison (Hattie Morahan) might have had more motive than anyone else.

Although she initially denies killing her husband, Alison quickly changes her defence when the evidence stacks up against her. Her argument that she wasn’t in her right mind and lost control when she stabbed him, challenges the prosecution and Kate (Georgia Taylor) questions whether they should be trying her for murder at all. But Jake (Dominic Rowan) is determined to see justice done and through some last minute detective work, our team are finally able to uncover the truth. Guest starring Ramon Tikaram.

Regular Cast
DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison

Guest Cast
Alison Gardner - Hattie Morahan
Anna Sands - Antonia Clarke
Lisa Gardner - Holly Earl
Vijay Prasad - Ramon Tikaram
Judge de Marco - Cyril Nri


My recap and review of Law & Order UK “Safe From Harm” can be found at this link.


   #  #  #


Check out my blog home page for the latest Law & Order information, on All Things Law And Order.

Also, see my companion Law & Order site,These Are Their Stories.

Monday, March 3, 2014

Law & Order UK Returns to ITV for Series 8 (Press Release)

(Series 8 Premieres Wednesday, March 12, 2014 9:00 PM on ITV)


Law & Order UK  Returns to ITV for Series 8
ITV Press Release March 4, 2014 12:00 AM UTC
(7:00 PM ET March 3, 2014)


"In the criminal justice system, the people are represented by two separate yet
equally important groups: The police who investigate crime, and the Crown
Prosecutors who prosecute the offenders. These are their stories."

Law & Order: UK will be back with a bang on ITV – literally.

Dependable Detective Sergeant Ronnie Brooks (Bradley Walsh) already has a huge criminal case underway, when a lorry crash reveals a new murder. And, the identity of this body has been deliberately hidden.

It’s not the best time for a detective to have to train a new colleague – in particular a young officer who has come straight from child protection to the murder squad.

But DS Joe Hawkins (Ben Bailey Smith) soon proves his worth and a successful new partnership is built.

ITV is happy to see the return of the rest of the Series 7 Law & Order:UK cast in the new series.

This is series eight of ITV's highly successful drama Law & Order: UK. It is a spin off from the massively successful Dick Wolf US drama, which was the first US show to be adapted to British television in 2009. Series seven, 2013, won its time slot for every episode reaching an average audience of 5.4 million viewers and a share of 21.3%.

Ben Bailey Smith joins the cast as DS Brook’s new partner, Joe. Smith is well known on the comedy circuit as rapper and stand up, Doc Brown. But since moving into acting, he’s been a big success in Hunted and Midsomer Murders.

Bradley Walsh was nominated for the National Television Awards TV Detective of the Year and is hugely popular as wry, loveable, worldly-wise DS Brooks.

Bradley explains: "I’m thrilled to have been in that category. Olivia Colman, Idris Elba, Benedict Cumberbatch; what great company. It’s great to be shortlisted with those guys, especially when the awards are voted for by the British public.

Dominic Rowan, Georgia Taylor and Paterson Joseph also return in the new episodes. Both Georgia (Casualty, Lewis, Coronation Street) and Paterson (Babylon, The Hollow Crown, Hustle, Peep Show) joined the cast last series.

Paterson Joseph plays DI Wes Leyton, who has been in the force since the age of 18 and shares with Ronnie an innate understanding of life on the London streets.

Georgia Taylor is straight talking Crown Prosecutor Kate Barker.   Passionate and stubborn, Barker resigns from a murder prosecution because she believes the young woman in the dock was acting “in defence of another” – her young daughter.

Jake Thorne (Dominic Rowan) always prosecutes with a clear sense of right and wrong. His trickiest case this series is a teenager who looks as if butter wouldn’t melt in her mouth. But what Jake has to remember is that this is a defendant charged with killing her own baby.

Peter Davison returns as respected Director of the Crown Prosecution Service, Henry Sharpe – and this series, his life is threatened by a killer with a grudge. He also has to stand by while his juniors successfully campaign for a trial without a jury – throwing away “800 years of constitutional law.”

An array of guest stars including Helen Baxendale, Hattie Morahan, Joseph Millson, the late Roger Lloyd Pack, Colin Salmon, Roy Hudd, Christopher Fulford, Haydn Gwynne and Harriet Walter join the cast for this season.

Highlights of the new series include the death of a psychiatrist who specialises in violent juveniles and a hotel-room killing with plenty of blood, but without a body.

DS Ronnie Brooks, (Walsh), will meet his match in a drug dealer who repeatedly beats the justice system and in "I Predict a Riot", he’ll be investigating other senior police colleagues after the skeleton of a black undercover copper is found in the boot of a car.

The series is produced by Jane Dauncey. The executive producers are Alison Jackson and Jane Featherstone for Kudos and Dick Wolf, creator and executive producer of Law & Order, for Wolf Films. It is a Kudos/Wolf Films/NBC Universal Production.

Law & Order:UK has a unique premise. The show opens at the scene of the crime, follows the investigation and trial all the way through to a verdict – which isn’t always what the audience will be expecting.


Bradley Walsh is DS Ronnie Brooks - Interview

Bradley Walsh has played DS Ronnie Brooks for seven years, in more than 50 episodes of Law & Order: UK and is now firmly established as one of the nation’s favourite on - screen coppers.

Did Bradley realise that Ronnie would end up a national treasure?

"No, not at all. I had no idea about that when I started playing him. I have a very odd perception of fame and celebrity and characters. I don’t take it home; I don’t look at it in that way. He is my take on a cop.

"I still need to watch three or four episodes when I come back to film a new series, just to get into the role of Ronnie. I can’t quite get back into the mannerisms straight away. I need to rest my brain in between!"

Once he takes on the old fashioned hairstyle, the police issue spectacles and the lived­ in beige mac – suddenly, he’s ten years older and the epitome of an ordinary street copper.

Ronnie Brooks is not surprised by anything,

Bradley recalls "There was a wonderful line in the first series when he was interviewing a young girl who said ‘why don’t you believe me? I haven’t done anything’ Ron just leans forward and says ‘because sometimes people lie’ and that just sums up Ronnie completely. Don’t assume we’re going to believe everything we hear, and don’t also assume we’re going to jump to conclusions. Ronnie certainly doesn’t and that’s why I love playing him.

Nominated in the National Television Awards TV Detective of the Year category earlier this year Bradley explains: "I’m thrilled to have been in that category. It’s great to be shortlisted, especially when the awards are voted for by the British public. Olivia Colman, Idris Elba, Benedict Cumberbatch; what great company.

This series, Ronnie gets a new partner in DS Joe Hawkins, played by Ben Bailey Smith. Says Bradley: "Ronnie takes all of his partners on board completely. He appreciates that he can be seen as a bit of a dinosaur so he tries to adapt despite any age difference. It’s all about truth and justice for him, as long as they’re singing from the same song sheet there’s no problem at all.

"What's brilliant about Ben is that he’s got a great sense of humour ­- he comes from the stand up arena ­‐ and also his character is very streetwise so he comes up with some great quips about all the stuff he knows about the street and today’s society. Ron is slightly out of touch with all that -­ he still wants to carry on catching the bank robbers."

He continues: "Ron and Joe were a bit stand-offish at the start – Joe pulls him up in an interview because it was his area of expertise and Ronnie found it quite tricky. But at the end of that episode, he is asking Joe to teach him what he knows. People are different and they have to learn to adapt, and that’s what they do in this series."

"The great thing about someone like Ron with all his years of experience is that no crime is brand new. Everything is cyclical. If there is a murder or a robbery - there are only so many ways it can be done; however strange, he has seen it all.

“ITV viewers think Ronnie is great because his years of experience have taught him to look beyond the obvious, not to take things at face value. Invaluable skills in finding out the truth.

And Bradley admits: "Sometimes I choose not to read the back end of the script; if I think it’s working well in scene order, I won’t read the outcome. Yeah – I get spoon-fed little bits of info by the director and the continuity on the set as were going along and all of a sudden it starts to piece together. If you know that the perpetrator goes to prison or the perpetrator gets off, you might play it wrong."

So what is in store for Ronnie and the team in series eight?

"Episode one is a great opener. It is a very clever script and the journey it takes us on is brilliant. It’s very harrowing and we are pushed from pillar to post to find out why they have chopped up the victim, Harry, and taken his teeth. The guy who played Harry was a multi-amputee and he was great fun to have on set, I enjoyed his company a lot.

"We have a random killing in the final episode, which really just shows you the fragility of life. Someone goes shopping in a market and loses her life there and then, in the blink of an eye. And there’s another storyline about institutionalised racism in the force. There is a really diverse range of stories in this series."

Has filming all round London at all hours of the day given Bradley a different perspective of London?

"During one episode we ended up filming on the top of Tower Bridge. I had no idea you could get up there. There’s a museum and gantry on the top floor! That was great. From up there you get a whole new perspective. London is a fantastic city and I think we, as a show, have done it proud in making it seem more accessible to all sorts of people. I am proud of this show.”


Ben Bailey Smith is DS Joe Hawkins – Interview

Ben Bailey Smith was thrilled to land the role of DS Joe Hawkins in the new series of Law & Order: UK.

"When I was a little kid I wanted to be an action hero and this is the closest I've ever come to that. So it is a life‐time dream type deal. Sometimes when I'm running after an assailant during filming I think ‘I used to do this in my head on the way to school when I was seven years old'. That element of it is beyond satisfaction, it's very exciting for me; a big, big deal."

This is Ben's first major role in a primetime drama series but he already has a successful career as comedian, rapper and writer Doc Brown.

He muses: "I wonder what the odds are of Bradley Walsh's co‐star being somebody who has trodden a weirdly similar path to him? It is strange enough to have a comic in a lead dramatic role but then for me to come along...Some days we'd even be on set with Paterson Joseph in a three‐hander! Paterson is obviously a fantastic dramatic actor but for a certain generation like me, I also associate him with comedy because I've seen him be brilliant in Green Wing and Peep Show.

So how is it, that three actors, renowned for their background in comedy, have found themselves dealing with such dark subject matter on screen?

"The similarity between me and Brad is that we're ‘university of life guys’ We've experienced a lot and got into this drama world relatively late, have already had children, been through various ups and downs and had our fair share of successes and failures. And when you've lived, you can bring a lot more to an acting performance.

Just because both of us have a history of comedy doesn't mean we can't adopt a serious approach to scenes, and we have a lot more to draw on than just stand‐up, it goes way deeper than that.

I think we both understand character and both understand the timing of dialogue very uniquely because of our history of writing and performing sketches."

And Ben was immediately drawn to the role of Joe Hawkins.

"Joe is somebody who I could never be in real life as he is so much braver and more of a quick thinker than me: but his back story is something I could relate to.

He'd grown up in care and hung around with a lot of the wrong people as a teenager; he knew a lot of criminals before getting into police work. Joe has an affinity with troubled kids and difficult boys. It reminded me of my past; my mum was a youth worker and then became a social worker and my first jobs were volunteering with kids in care. As I got older I started getting qualifications and by the time I was 18 or 19, I was working part time in various youth clubs, had an NVQ in youth management and started running my own youth club and a charity for unaccompanied refugee kids. I've always worked around young people and worked with young offenders for years. So I saw familiar stories, as Joe has come from child protection.

"In one of the introductory episodes to Joe there is a frisson between him and a suspect over Joe's racial background and he is clearly defensive in a surprising way. Playing that stuff is like a dream come true. Most of the parts I've played on TV are not racially specific and while I'm really proud and happy with that, it is amazing to have storylines that have an element of who I am physically, bringing that raw emotion into character.

There are lots of parallels between me and Joe but the crucial difference is he would go head first into battle with a man with a gun whereas I would turn tail and run as fast as I possibly could in the other direction."

So how does Joe get on with new partner Ronnie Brooks?

"It is difficult to start with because Joe is lacking experience. For a start, having moved from child protection, he hasn't seen that many dead bodies it wasn't hard to have a look of revulsion and fear because I've never experienced that before and the make‐up is great.

“Joe is going into big school, and Ronnie has minimal patience with him initially. But Ronnie sees a lot of himself as a young man in Joe, he finds out Joe is a West Ham fan and they bond over that and very soon it becomes a father son relationship and then a more brotherly one as they engage in difficult cases together and support each other, explains Ben. “The other thing that, for me was poetic, was the mirroring of this in real life between me and Bradley. As Ronnie was handing down wisdom to Joe in the script, I was learning so much from Brad off set. He was encouraging me to improvise with him at the top of scenes to get into character and the resulting freshness of exchanges and joking with each other, the gallows humour, was great. “

So what was the most challenging thing for Ben during filming?

"Definitely the physical stuff. People assume I'm athletic but I'm deceptively unfit. I ride my bike round London but that's it. I do not have a healthy lifestyle and running is out of character for me. Unfortunately Joe does a lot of chasing and racing about and one day I literally ran twice and then puked up and passed out. No one ever let me forget that.

"The challenge is playing it straight. I want to show everyone that side of me; being the action hero. I've got a couple of episodes where Joe Hawkins saves the day and that for me is real boys own stuff.

"But the hardest thing for me now is being away at the Melbourne Comedy Festival while the show is on air. I'm so excited to see my name in the opening credits but the world is a smaller place so I'll be watching on the internet at 6am in Australia and getting involved on Twitter to see the response."


Paterson Joseph is DI Wes Leyton - Interview

Paterson Joseph was thrilled to return to the role of DI Wes Leyton in the new series of Law & Order: UK.

He says: "I slipped back into the character of Wes easily. And although it is nice not being the new boy anymore, I have always felt very at home on the set of Law & Order: UK.

“It's Bradley Walsh who really who needs to take credit for this. When I first started, I completely fluffed my first lines and Bradley’s response was ‘that’s perfect, that’s what we want to do to make it feel realistic" and that immediately made me feel like there’s no massive pressure and that instills real confidence in actors. Anyone that comes into the series is going to feel exactly the same thing in a short time.

"There is an atmosphere of friendliness and supportive focus on set. It’s fun to have new artists come in and we get a fantastic calibre of guest stars. We just need to get our bit done as quickly as we can, so we can sit back and watch great actors go through tortuous emotions – it’s a real treat."

So what does this series have in store for Wes?

"For Wes, it is all about making sure the procedure is done well and there aren't too many hiccups along the way. As a character I think he tries to be less hands on this series. All the cases had a little something that touched him, but what he was able to do was use the system to get the right result or drive the two detectives in the right direction to get the result. There is one particular case which strikes a chord as it his past coming back. A little bit later, he gets touched by a story that affects his own life and desire to have children. But he gets better being an administrator rather than a copper – there is less desire for him to be out there on the street.

"I enjoyed the race riots episode as Wes had more to do and it was a bit more personal, there was a bit more back story to work on and that was enjoyable. Plus I was able to work with two actors I have always admired – Jenny Joules who played the victim's sister and Don Warrington as the police commander. I had a couple of great scenes with those actors. It was enjoyable to plot my way through and not make it too personal.

“I hope when people see it, they don’t see it as an issue episode, but more about working out how the law helps resolve those situations as opposed to how anger or force or guilt can." Paterson admits he loves filming on the streets of London for the show.

"It’s my favourite bit. I got to do a couple of scenes walking up Westminster Bridge with tourists taking pictures of the back of my head. It’s like doing street theatre – getting crowds building up on a corner when all you are doing is standing next to a car!"

So has he seen a different side of London?

"Yes, and you feel very privileged, like you’ve been given keys to the city. I used to work for a solicitors in my late teens and sometimes had to go and deliver papers to the courts and it always felt like theatre to me ‐ dressing up in the gowns and wigs. Going to film at The Royal Courts of Justice on a Sunday makes it feel like being backstage in the theatre; it does feel like a privileged place where not a lot of members of the public – unless they’re in trouble – get to see those areas.

So would Paterson like a role on the legal side of the drama?

"Yes, but I would have had to learn those long speeches and wear scratchy wigs!"




SYNOPSES

Episode 1: FLAW by Nick Hicks -Beach
Ronnie (Bradley Walsh) and his new partner Joe (Ben Bailey Smith) are leading an investigation into the death of jeweller Harry Bernstein who is found dead with no hands or teeth. His wife Lindsay (Tracy Brabin), her lover David, and a former business associate, Mickey Belker (Christopher Fulford), are all possible suspects. But the case takes a surprising turn when Bernstein’s sister turns up with his severed hands. They were delivered to her house in a box to lend weight to a very simple message: ‘not guilty’.

Bernstein’s sister, Rebecca, is on the jury for the trial of Dale Horgan; a drug dealer and murderer that Ronnie has been trying to nail for years. This threat to Rebecca points to jury tampering. So Jake (Dominic Rowan) and Kate (Georgia Taylor) have to take a dramatic approach to win the case, against formidable defence barrister Eleanor Richmond (Helen Baxendale), and with Henry’s stern eye on them at every turn. But will Ronnie’s evidence be enough? Guest starring Diana Quick.


Episode 2: SAFE FROM HARM by Tom Grieves
The stabbing of Doctor Gardner, a psychiatrist who treated teenagers and children, initially leads Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) to question his violent adolescent clients. However, when they uncover evidence that points to him having an affair with one of his patients, they begin to suspect that his wife Alison (Hattie Morahan) might have had more motive than anyone else.

Although she initially denies killing her husband, Alison quickly changes her defence when the evidence stacks up against her. Her argument that she wasn’t in her right mind and lost control when she stabbed him, challenges the prosecution and Kate (Georgia Taylor) questions whether they should be trying her for murder at all. But Jake (Dominic Rowan) is determined to see justice done and through some last minute detective work, our team are finally able to uncover the truth. Guest starring Ramon Tikaram.

Episode 3: I PREDICT A RIOT by Richard Stokes
Whilst helping out the drugs squad on a bust, Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) stumble upon a body that has been hidden inside the boot of a car in the River Thames. It turns out that the man was Taylor Kane, a black undercover policeman who went missing in the 80s, at the time of the Brixton riots. Through clever detection, unsettling evidence is unearthed as Ronnie, Wes and Joe raise issues that the police would rather forget. Wes (Paterson Joseph) finds himself personally putting his head above the parapet when he gets an unexpected visit from the Commissioner (Don Warrington).

Jake (Dominic Rowan) takes up the cause with Ronnie, Joe and Wes as defence barrister Philip Nevins (Pip Torrens), argues the case for his defendant DS Darren Grady (Ralph Brown). Accusations of are thrown around as our heroes get in deeper and deeper when the case hits the headlines and Kane’s sister, Nikki Carroll (Jenny Jules), comes knocking at their door. It is time to pick a side as friendships and loyalties are tested and careers are put on the line for justice. Guest starring the late Roger Lloyd Pack and Graham Cole.


Episode 4: PRIDE by Matt Evans
The death of a seemingly innocent family man leads Ronnie (Bradley Walsh) and Joe (Ben Bailey Smith) to go on the hunt for the murderer. But what they find is that the accused is Eddie Stewart (Martin Jarvis), a man in his 70s who just so happens to be Ex-DI Natalie Chandler’s (Harriet Walter) father. It is a tough day for Ronnie as he has to deliver the news to his old friend.

No one can understand why Eddie would commit murder, least of all Natalie who argues with Jake (Dominic Rowan) when she confronts him over the charge against her father. Jake is sympathetic but there’s nothing he can do without Eddie’s cooperation. Natalie wastes no time in getting Ronnie to go above and beyond to help her find the real killer, even if that means getting him into trouble with a frustrated Wes (Paterson Joseph). But, how far is Ronnie willing to go in order to help his friend? Guest starring Roy Hudd.


Cast & Crew

Regular Cast
DS Ronnie Brooks - Bradley Walsh
DS Joe Hawkins - Ben Bailey Smith
DI Wes Leyton - Paterson Joseph
Jacob Thorne - Dominic Rowan
Kate Barker - Georgia Taylor
Henry Sharpe - Peter Davison

Episode One: Flaw
Eleanor Richmond - Helen Baxendale
Lyndsey Bernstein - Tracy Brabin
Judge Hall - Diana Quick
Mickey Belker - Christopher Fulford
Justice Lockwood - Michael Culkin
Danny (Eyeris) - Sonny Serkis

Episode Two: Safe From Harm
Alison Gardner - Hattie Morahan
Anna Sands - Antonia Clarke
Lisa Gardner - Holly Earl
Vijay Prasad - Ramon Tikaram
Judge de Marco - Cyril Nri

Episode Three: I Predict a Riot
Police Commissioner - Don Warrington
Philip Nevins - Pip Torrens
DS Darren Grady - Ralph Brown
Alex Greene - Roger Lloyd Pack
Nikki Carroll - Jenny Joules

Episode Four: Pride
Natalie Chandler - Harriet Walter
Eddie Stewart - Martin Jarvis
Felix Hargreaves - Roy Hudd


Crew
Executive Producers:  Alison Jackson, Jane Featherstone, Dick Wolf
Producer: Jane Dauncey
Producer Ep 3 and 4:  Jane Hudson
Directors:  Mat King, Jill Robertson, Josh Agnew
Writers: Nick Hicks-Beach, Noel Farragher, Richard Stokes, Matt Evans, Thomas Grieves, Jamie Crichton, Louise Ironside
Director of Photography: Toby Moore
Hair and Make‐Up Designer:  Natalie Pateman
Costume Designer: Darren Finch
Editors: Al Morrow, Selena MacArthur, Liz Weber and Ulrike Munch




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