Showing posts with label Fatherly Love. Show all posts
Showing posts with label Fatherly Love. Show all posts

Monday, August 5, 2013

Law & Order UK “Fatherly Love” Recap & Review



Law & Order UK “Fatherly Love” was a dramatic story adapted from the original Law & Order “Family Values” (season 5, episode 4). This is one of those original Law & Order stories that predates the start of Law & Order SVU; it was a murder case with a hint of a special victims-type storyline. “Fatherly Love” gave most of the attention to the detective work and less to the legal action, and, at the end, it’s Ronnie’s persistence that gets the real answer on who was the killer and why. I was a little disappointed that, with new character Kate Barker (Georgia Taylor), we didn’t get to see much substantive action from her in this episode. It does appear, however,  that she and Jake and getting along fine.  We did get to see a little more of DI Wes Leyton's (Paterson Joseph) personality and behaviors, and he is a very comfortable character and a good fit for the show.

I always enjoy the visual side of Law & Order UK, with its nice location settings that gives viewers (especially those outside the UK) the feel for London and the surrounding area.

While the outcome of this episode was predictable, the story was well written and well acted. It portrayed the scheming side of a husband who has a predilection for young girls, and the anguish that has cause for all those that he touched, literally and figuratively.



Here is the recap:


Cast
Bradley Walsh - DS Ronnie Brooks
Paul Nicholls - DS Sam Casey
Paterson Joseph - DI Wes Leyton
Dominic Rowan - Jacob Thorne
Georgia Taylor - Kate Barker
Peter Davison - Henry Sharpe

Guest Stars
Barney Walsh – Kit
Josh Williams – Theo
Graham Bryan – PC George Denmoor
Kirstin Foster – Officer Two
Rory Keenan – Sean Harte
Charlotte Hope – Holly Leigh
Terry Dwyer – Sara Hays
Jodie Comer - Jess Hays
Patrick Baladi – Richard McGrath
Eleanor Matsuura – Sophie Cohen
Jessica Gunning - Angela
Adjoa Andoh – Lilly
Raji James – Simor Alforth
Sophie Colquhoun – Kim
Colin Maher – Eddie
Brian Doherty – Ged
Valerie Edmond – Liz Booth
Julien Ball - Dr. John Crossley
Amerjit Deu – Judge Asif Pathan
Pip Torrens - Philip Nevins


At the Albert Bridge, two guys who appear to be stealing a car parked on the bridge are stopped by police. The police find the vehicle is registered to Charlotte Leigh and when the guys say she went off to get some patrol, the officer questions this as Charlotte left her purse behind.

Later, DS Ronnie Brooks and DS Sam Casey are on the scene. Sam explains that the husband is frantic as he has no idea where Charlotte is. The two guys tried to start the car but it is a keyless ignition and the fob has to be in the car. Ronnie comments that the fob was sitting in her purse, just 2 feet away. Ronnie suggests they check CCTV to see if she went for a walk with anyone - or – maybe she “went for a dip.”

At the Leigh home, Ronnie and Sam speak with Charlotte’s husband Sean who last saw her in the morning when she went to work. He went to the pub and got home after midnight but she works late and he thought she was at the office, she is a property developer. Sam asks if everything is alright at work or if there are money problems, and Sean says all is fine. Sam’s questions make Sean wonder if she killed herself, then admits that she did try suicide once, a few years ago and before his time when she was still with Holly’s dad – she took an overdose.

Elsewhere, Ronnie speaks with Holly who said at the time she was at a concert at school and got home about a half nine. Her mother was there at the time. Holly wants to go look for her but Ronnie suggests her mom would want her to be home when she got back. When Holly starts to get upset over the issues, Sean steps in and stops the questions.

Later, at M.I.U. headquarters, Ronnie and Sam bring DI Wes Leyton up to speed. Sam wonders if Charlotte was not planning on leaving. Ronnie does not believe she has been kidnapped but Sam wonders if the husband would not have told them about a ransom note. Wes comments that she attempted suicide once before and they now find her car on the Albert Bridge. Sam adds there are no CCTV cameras on the bridge. Ronnie suggests they ask around with her close friends,

At the home of Sara Hays, Ronnie and Sam find that Charlotte was planning a trip to France and already booked the house and doubts she was planning to kill herself. Her previous suicide attempt was not that – she was on pain killers and accidentally double-dosed. Sara’s daughter Jess enters and says she got her mother’s text on Charlotte and she had not spoken to her, she wasn’t in. She asks to be excused. Sara asks Ronnie and Sam if they spoke to Charlotte’s ex and Sam looks surprised to hear of an ex. He is Richard McGrath, and Sara says to say he is a drunk and violent pig would be unfair to pigs. He fractured her jaw, which is why she was on the pain killers. She knew he was violent but she finally left him. Holly still sees her father but Holy did not tell Charlotte, Sara had to pick her up from there once. He has a flat in Battersea, near the bridge.

At the home of Richard McGrath, Ronnie and Sam question him and he last saw Charlotte last weekend, he had been a good boy and she granted him a supervised hour visit with their daughter. He spoke to Charlotte last night, Holly was not answering her phone and Charlotte called him in a panic accusing him but she was not there. Holly said she was at a concert and he believed her. He got the call at 8:27. He got a cab to get to Edinboro to meet a contractor the next morning. He is an architect which is how he and Charlotte met, she finds the properties and he did the schemes, until they split up and she turfed him.

At Leigh and Cohen Properties, Ronnie and Sam find that Richard was useless and a nightmare when he worked there. He was just there last week as Charlotte was trying to help him get treatment as a condition of access to Holly. The cleaner he got the more he could see her. They find Richard had been arrested for assault just a few weeks ago.

Back at M.I.U., they hear a frantic recording of a call Charlotte made to police where she yells “Richard NO!” Angela apologizes for not having the recording sooner. Wes asks what were Charlotte’s movements the night she disappeared. Angela explains that Charlotte called Richard at 8:27 and the call lasted for 8 minutes. A car picked Richard up for the airport at 9 and they have him on a flight to Edinboro the evening. Wes wonders if that is enough time but Ronnie thinks the timing is too tight. As they muse over the issue and Sam comments they don’t have a body, Angela gets off the phone and informs them they have now.

Later, Wes, Ronnie, and Sam arrive at the location by the river where the body is found. It is Charlotte.

At the medical examiner’s, Lilly tells Ronnie and Sam that the cause of death is intra-cerebral hemorrhage, compound fracture of the occipital hone. But Lilly believes that the hit occurred before the jump as there was no water in Charlotte’s lungs. Ronnie comments she was dead before she hit the water.

At M.I.U., Ronnie and Sam question Richard with his brief. He denies any involvement in her disappearance. He says she never set foot in her place and as forensics went all over his place they should know that. Ronnie says Charlotte took away Richard’s whole life and he must be bitter. Richard admits he is, but so are plenty of divorced fathers. Sam outlines all of Richard’s behavioral problems and with Charlotte gone, Richard would have sole custody of Holly. Richard replies that a daughter whose mother is dead, asking how is that for a parenting strategy?

At the Thames embankment, they speak with a police officer about where the body was pulled out and the officer thinks that body was likely not dumped for the Albert Bridge but from the west, maybe in Richmond. Sean, Holly and Charlotte live there. Ronnie does not think Richard would have had enough time to kill Charlotte and then get back to his place and pick up a cab to the airport. Charlotte went into the river 2 minutes from her home and Ronnie wonders who helped her off that bridge

At the Leigh home, Ronnie questions Holly who is very skittish. When Ronnie mentions her stepfather Sean, she gets more upset. Ronnie explains that Holly may have been the last person to see Charlotte alive. Holly says she didn’t exactly see her, the lights were on so she thought she was there. She didn’t check because of her dad, they had a massive fight before they went out and she could not cope with part 2. Her mother hated Richard and Holly said she wished her mother was dead.

Later, at Waterloo, Ronnie and Sam speak with Kim, who says she has been with the family for 3 years, just as Richard and Charlotte were breaking up. It got ugly. She says Charlotte and Sean argued sometimes and that Charlotte can be hard work and she treated Sean like an employee. She gave him an allowance and she thought Sean could do so much better. Ronnie comments that they heard the night Charlotte was killed that Kim dropped off Holly at a school concert. She said she did nut she did not stay, Holly was getting a lift back with her friend Jess and Charlotte said she could go home. Kim admits it is weird that Charlotte would leave Holly home alone but if Sean said that is what happened then it must be. When Kim leaves, Sam comments that it looks like the pretty nanny has a crush on the handsome husband. Ronnie says the bloke is like catnip and wonders about his alibi. Sam replies that before Sean went to the pub he said he was working overtime with an Eddie Markham.

Ronnie and Sam speak with Eddie who says is uncle Sean is a good fellow who is letting him stay at his flat. Sam finds a pair of ladies panties and Eddie admits sometimes Sean gives him the nod and Eddie has to make himself scarce. He doesn’t know the name of the latest but last week he saw a lass in there while he was pulling up. She had long brown hair and was quite young. He admits he and Sean were meant to be working late that night but Sean got a call and he said he had to go and said it was personal.

Later, Sam brings Ronnie a snack who is waiting in their parked car. Ronnie comments that Sean lied about working late so why don’t they see if he lied about going to the pub.

At Quinn’s pub, they find Sean is a regular and he came in just before the bell. He had a few whiskies and left around midnight. The bartender let him out back because his car was parked there, Sean said he had some stuff for the bins. But – the trash bins have already been emptied.

Back at M.I.U. Ronnie tells Wes that whatever Sean threw out, it is long gone at a landfill in Essex. Wes doesn’t have the resources to search the landfill. Sam pleads, saying this could be a potential lead. Wes says what they have is some guy who may or may not have put something in a bin. Angela walks in and informs them that the forensics are in from the Leigh house.

At the Forensic Pathology Lab, they find a faint patch of blood was found on the rug in the kitchen and they found traces of blood protein around the kitchen area. It is Charlotte’s blood. Ronnie suggests they see if Sean can explain what it is doing there.

Later, with Sean being questioned by Ronnie and Sam at M.I.U., he insists he did not kill his wife. He only threw out some old dust sheets in the bin. He admits he did not work late, he was on another job on private work and tried to pull a fast one and did not tell Eddie as Eddie would have let it slip. They ask him about the girl that he had in that flat and Sean says it was Holly. He adds she has made things difficult – she is obsessed with him.

Afterwards, with Holly at M.I.U. under questioning along with her father present, they explain Sean was cheating on her mother. Holly is very upset and she begins to cry. Ronnie asks about her alibi and she said she didn’t want to go home so she went to her dad’s house but he was not there so she let herself in. She doesn’t think anyone saw her there, she just watched TV. She did not want to back to her home because she thought Sean might come back. She explains that Sean has been coming on to her and she didn’t let him.

At CPS, Jake Thorne comments to Ronnie and Kate Barker that Sean is saying Holly is obsessed with him and Holly saying that Sean is grooming her. Jake adds that either way, mum ends up in the Thames. Jake instructs Ronnie to arrest them both on suspicion of murder and see whose story cracks first. Kate questions if Holly is capable of killing her own mother, and Ronnie explains what they found in the kitchen. Kate responds there is nothing to link her to the murder. Ronnie says Holly’s alibi is not strong. Jake comments that Holly matches the description of the girl who went into Sean’s flat. Ronnie replies this could be anyone, he admitted to being a lady’s man. Kate inquires if Ronnie has been to her school and spoken to her mates, girls talk.

At Newfield High School, they speak with the Dr. John Crossley about Holly and find she left the concert early and Jess Hayes said Holly was sick.

Ronnie and Sam speak with Jess who says it wasn’t a lie, Holly was in the toilet and did leave early. She tried to talk to Holly about that night but she was not answering her phone. Holly’s mom said boyfriends were off limits and that her mother even freaked over someone liking Holly’s profile photo. Holly was scared of her mother. Jess used to tell Holly to stick up for herself but stopped as Holly was defensive.

Afterwards, Ronnie tells Sam Holly left there wearing her school uniform and Sam says forensics took it in and it was still clean. Ronnie speculates she had a second uniform and they need to sweep that house again.

At forensics where the second uniform is being examined that was found in a carrier under the bed (and missed on the first search), Ronnie and Sam hear there was blood all over it and it is a match for Charlotte’s. Ronnie does not think Holly did this on her own.

Later, Ronnie and Sam arrest Sean, and afterwards, arrest Holly as she exits her school with her father. Jess stands by and watches.

At CPS, Jake and Kate watch a video of Holly’s interrogation. Kate thinks Holly is convincing but Jake wonders if the jury will believe her once they hear of her infatuation with Sean. As they discuss the issues with the case, Kate tells Jake that Holly’s school jumper was there and that Holly said she had gotten changed. Kate thinks Sean helped her and Jake counters that there isn’t enough evidence to support that. He wouldn’t enjoy putting away a 16 year old girl but if the jury decides she’s guilty, then they would have done their job properly. Henry enters the room and says that Ronnie has been in touch, Sean is ready to talk and is admitting to assisting but not murder.

At M.I.U., Jake and Kate watch the video feed of Sean’s interrogation. Kate says Sean is selling her out. In the room with Ronnie, Sean said he tried to let her down gently but Holly threatened to tell Charlotte that he abused her. He had no choice but to tell Charlotte himself . He says Charlotte was devastated, and Holly came home in the middle of it and they screamed at each other so he thought it was best to get out so he left. He went to the pub to drown his sorrows and when he got back, Holly was in the room sobbing. He does not think she meant to kill her. Ronnie reminds Sean he said he was moonlighting on another job and were there any witnesses. Sean says there was someone there who can prove he was telling the truth but he did not want to drag her into it. It was Jess.

Afterwards, Ronnie tells Jake and Kate he thinks Sean was hanging Holly out to dry and Kate reminds him her best friend is providing an alibi for him. Jake adds that Holly had a turbulent relationship with her mother, no alibi to speak of and forensic evidence pointing directly to her. Jake continues that he’s not saying he likes it, but they proceed with charging him with assisting an offender, and Holly with murder.

At Crown V Leigh, Jess testifies that Holly and her mother argued over her mother’s control. Jess did not think Holly had a boyfriend. As far as she knew, Holly’s relationship with Sean was good. After the concert, Jess says she went to see Sean about her mum and dad. Since they separated she missed having her dad around, and she did not mention this earlier as she did not want her mum to know.

With Sean testifying, he says he loves Holly like she is his own daughter, and her fixation started with loves notes left in her jacket pocket. The laughed it off as a schoolgirl crush and thought it would pass. Holly looks stunned. But it did not pass, it got worse. On the evening Charlotte was killed, Sean says he told her about Holly’s behavior and she was upset then Holly arrived home and it just exploded. With the tow of them screaming at each other he had to get out of there. He never imagined this would end in tragedy. He found Charlotte lying on the kitchen floor. In the gallery, Jess looks shocked and her mother asks if she is OK, and she nods. Sean goes on to say that Holly was in her room, shaking, and he asked her what happened. She kept saying she didn’t mean to, she didn’t mean to. Holly calls out “No, no!” and Sean looks at her and says he is sorry. Jake tells Sean to direct his answers to the jury. He testifies that Holly stated they fought, she pushed her mother and she fell back and hit her head. He tried to call 999 but Holly started screaming at him that if he didn’t help her, she would say he did it. He admits he helped dispose of the body and make it look like a suicide, adding that he panicked. He thinks this is his fault, if he hadn’t said anything.

Monday, July 1, 2013

Law & Order: UK Series 7 Overview, New Cast, Episode Information (Press Release)


Photo by ITV

Law & Order: UK will premiere series 7 on ITV on Sunday, July 14, 2013 at 9PM.  Here’s the press information so fans can have some background on the new series and the new cast members.  It sounds like an interesting and exciting series!   (Update July 10, 2013:  this new series of Law & Order UK will return to BBC America on Wednesday,  August 7, 2013 at 9PM ET.)


ITV Press Release
July 2, 2013

Law & Order: UK - Series 7

Georgia Taylor and Paterson Joseph join the cast of ITV's highly successful drama Law & Order: UK for series seven with dramatic storylines including a devastating train crash, kidnap and child grooming.

Georgia Taylor (Casualty, Lewis, Coronation Street) is defence barrister turned Crown Prosecutor Kate Barker fresh from the more lucrative side of the courtroom. She may not look like the average prosecutor but Kate is straight-talking, charming and likeable and very used to getting her own way. She is headstrong, experienced and not a fan of hierarchies; the perfect combination to infuriate her new associate Chief Prosecutor Jacob Thorne (Dominic Rowan).

Also joining the critically acclaimed cast is Paterson Joseph (The Hollow Crown, Hustle, Peep Show). DI Wes Leyton has been in the force since the age of 18. He's been through it all and knows the only way to change things is from the inside. Newly appointed as DI, Wes is frustrated by the amount of time spent dealing with budget issues and filling in forms but he is determined to make a good job of it and get results.

Wes and Ronnie (DS Ronnie Brooks played by Bradley Walsh) go way back and although they weren't best mates they share a similar outlook on life. But his partner DS Sam Casey (Paul Nicholls) isn't so sure of his new boss…

Peter Davison returns as respected Director of the Crown Prosecution Service, Henry Sharpe for series seven which sees the law and order teams facing the darker side of humanity. The first two episodes will be a compelling two-part story written by Emilia di Girolamo (Law & Order: UK, The Poisonwood Tree) with the second episode exploring ‘a day in the life’ of the characters. A suicidal man drives his car across a railway crossing causing the train to crash and killing 15 people. The investigation takes on several twists as the teams pursue the case with vigour and a determination to uncover the truth as the future of their colleague DS Sam Casey hangs in the balance.

An array of guest stars including Amanda Mealing, Patrick Baladi, Jan Francis, Ramon Tikaram, Ian Bleasdale, Daniel Casey, Terri Dwyer and Glynis Barber join the cast for this six-part series.

Says producer Jane Hudson: ”Taking over as Producer on a successful show is always a daunting prospect. Firstly you want to maintain the high standards already set, but you also want to put your own stamp on things and give something to the series that hasn't been done before. I'm a huge fan of stunts, so when our lead writer, Emilia di Girolamo, suggested using the US episode 'Locomotion' as the base for our two-­‐parter, I jumped at the chance.

“Like most UK drama, Law & Order doesn’t have an endless budget, so staging a real train crash was always out of the question. However, we watched the US version and were impressed that they'd managed to shoot the train crash from the inside only, but made it look fantastic. Of course, we wanted to go one step further...

“Taking the US episode as our template, myself and the director Mat King, worked closely with the stunt co-ordinator, special effects team, director of photography and production designer to make sure we pushed things as far as we could. On the shoot day we ended up with 15 stunt performers inside a real train carriage and used a series of lights outside the windows to create the effect of movement. The effects team rigged suitcases to drop from racks and debris to fly out of a canon. We also rigged some of our stunt performers with blood pellets which burst on action as they crashed into sugar glass. We knew we only had two attempts to get it right so a lot of time was spent rehearsing both the performers and the cameras. The end result was better than any of us could have hoped -­‐ it certainly kicks the new series off with a bang!”

Adds Jane: “In this series we deal with a lot of crime committed by people you really wouldn't suspect. What seems like an ordinary family turns out to be the complete opposite with some extraordinary outcomes. There's certainly something for everyone with a few familiar faces joining us along the way.”

Law & Order: UK is produced by Jane Hudson (Hustle, Waterloo Road, Robin Hood). Kudos Film and Television Chief Executive Jane Featherstone (Broadchurch, Spooks, Utopia) executive produces the series. Dick Wolf, creator and executive producer of Law & Order, executive produces for Wolf Films.



New Cast Members

Georgia Taylor

Georgia Taylor is Crown Prosecutor Kate Barker Georgia Taylor made several visits to Bristol Crown Court to watch the same case by way of preparation for her role as defence barrister turned Crown Prosecutor, Kate Barker, in the new series of Law & Order: UK.

“The first time I went I felt quite nervous,” she recalls. “I’d never been to court before for any reason and I felt a bit uncomfortable. But by the second and third time I knew exactly what was going on, I went through security and took a seat in the gallery as though I’d been going for years.”

And that is exactly the feeling Georgia was after, she explains: “For me, it was about wanting to walk onto the court room set for the first time and not feel like I was in a completely alien environment. I also closely watched the prosecution barrister and what I liked about him was that there was no demonstrating, he wasn’t raising his voice, he was very matter of fact and in a way, when people are like that, it draws you in. Politicians do it – they talk softly and I very much took this on board with Kate. There was such a real naturalness and I found him really compelling, I couldn’t take my eyes off him. I can see how people get hooked on going to watch these cases. You have to remember that this is real; we could see everything, but it felt like I was watching TV! I found it really fascinating.

Talking about her character Georgia says: "We first meet Kate as a defence barrister up against Jake (played by Dominic Rowan) and we find out at the end of the first episode that she moves over to CPS where she will be working alongside him. They rub each other up the wrong way from the start. She quite likes him but he is just irritated by her. Jake is very controlled and quite cold. Kate admittedly is quite nosy, but there’s no malice in it, she is just genuinely interested in people and what makes them tick. She is fascinated by Jake because he is this enigma that comes into work and doesn’t give anything away.”

Georgia continues: “Kate comes from a working class background and I think the reason she is successful and well in court is because jurors relate to her – she is the girl next door; non-threatening and non-­intimidating. She isn’t very well spoken, she didn’t go to private school, she doesn’t use a lot of fancy words – that doesn’t mean she doesn’t know the fancy words because she is very bright – she is accessible, warm and bit mischievous; she likes to wind Jake up. She is very passionate and just the opposite of Jakes character – she is more friendly and much more inquisitive.”

So what drives Kate Barker?

“She is someone who really enjoys a challenge – and this is a hugely challenging career. It’s different every single day and every case is different and that is something that really appeals to her and her spirit of adventure. There is also a part of her that is passionate about causes she believes in and we see that in the first episode when she is defending a character who she believes is mentally ill. She cares about people and she cares about the right thing being done.

“She is sensitive to the needs of people who are vulnerable; whether that is mental health or battling addiction, she has empathy and sympathy. For people that are vulnerable and can’t protect themselves in the way perhaps someone else could.”

And how does Kate relate to her new boss Henry Sharpe?

“Generally most of the time they get on really well and I think he has done a very clever, slightly manipulative thing by bringing her on board as he knows she will bring certain things out in Jake. Even in the first episode he is quite playful and quite enjoying Jake’s discomfort as Kate shares an office with him. At the end of the day he is her boss and there are moments towards the end of the series where he has to pull her back into line because she has got very passionate about a case and she’s perhaps doing things inadvertently that are detrimental to the team in CPS. He is quite firm with her as this is his job, he has to keep everyone in line and make sure they are doing their job properly. Because she has only recently crossed over to CPS there are at times elements of the defence barrister in her that she’s struggling to shake off a bit.

“I got to have some great on-­screen arguments with Peter Davison – he is such a gentleman and such a wonderful actor, it was good to play a different dimension with the character.”

How did it feel having to wear the wig and gown standing up in court?

“The first time I tried the wig on was when I had a makeup test and I was horrified! I thought, ‘Oh my God’. It wasn’t so much that I looked terrible – I am not that vain – I just thought I looked a bit comedy and wasn’t sure I took myself seriously. I really had to sell this and remember Kate has trained for this job and been doing this all through her twenties. I have to say, within a couple of hours of wearing it, and when the other barristers in court are wearing wigs, you become a bit attached to it.

“When Kate is in court, she is very different to how to she is in the office and she has to be. The only way I can describe it as an actor it feels like the closest thing to theatre you get with filming. We’ve got this huge set and lots of supporting artists, crew and guest actors. You really do feel, when you’re stood up in the benches, that every single pair of eyes is on you, so there was something very theatrical about it and the character has to choose what she presents to the jury and how she manipulates a witness and draw things out. By its nature it is very theatrical, and with the addition of wig and gown, it is like your stage costume and it very much feels role specific so it does help you get in the right mood.”

Kate Barker will become known for another element of her costume too…

Yes – she wears Ugg boots with her suits when she’s not in court! That’s what I really love about her as it’s so much like me to dress for comfort. It’s just a nice character trait that she does what she has to do in court and wears what is required of her, but she just wants to be comfy. She isn’t the kind of girl to go tottering around in stilettos and short skirts. Our costume designer went for quite a masculine look – slouchy jumpers, shirts and we have even got harem pants. It is very laid-­‐back and reflects her personality – she isn’t uptight and ironed to within an inch of her life and these boots are a nice reflection of this.” “Funnily enough I wasn’t a fan of Ugg boots before filming Law& Order but it’s just because I never had them before. I always thought they were just overpriced slippers – ridiculous! After wearing them for about a week, I just thought they were so insanely comfy and my lovely boyfriend bought me a pair for Christmas, so I am a convert.”

So were there any downsides to filming the series?

“This has definitely been one of the coldest jobs ever. We get to do some scenes on location and I love filming out and about in London, it’s exciting, but we have had the most shocking winter. Filming outside in bitter wind or snow you feel like your diction goes and your mouth goes numb so that has definitely been a challenge. Especially when we are filming 7.30am on Sunday morning by the River Thames -­ you feel like you’re being slightly punished…”



Paterson Joseph

Paterson Joseph is DI Wes Leyton Paterson Joseph was launched straight into the thick of it on his first day filming Law & Order: UK as the new DI, Wes Leyton.

“One of my first scenes was with Bradley Walsh (DS Ronnie Brooks) and we instantly had a good rapport. We both speak very quickly, slightly over-­lapping each other and I think Bradley liked the instant comebacks from my character. It was two people who were on the same wavelength humour wise,” explains Paterson.

His other scenes on the first day were with Peter Davison and Paterson recalls: “We were in Henry Sharpe’s office, we’d rehearsed a scene and Peter had gone for a costume change when a lump of ceiling fell down and I thought ‘I hope that isn’t an omen for my first performance on camera!’ Of course it wasn’t and everything rolled along nicely because it is such a well established production.”

Talking about his character Paterson says: “Wes has always been a committed career copper; he always wanted to be part of the solution. If you look at race relations in the 80’s when he would have joined up, it would have been imperative for him to have been committed to solving those problems and being the solution to the major race issues of the day. There was a huge separation between the police and black people, and certainly black youth, and he decided that what he was going to do was join and see if he could change things from within. To a certain extent, he feels he has succeeded;  here he is a very senior police officer able to command men and women under him and also show that black officers are able to rise through the ranks and encourage younger officers to join.

“As a copper he was very rule based and knowing that was the best way – through trial and error – to keep safe and make sure you get a conviction. He was always really good material for Detective Inspector but there is always a major part of him that is itching to get on the streets again and do the investigations and basically be Ronnie. He is slightly frustrated in that he has been given a lot of administration. The reason he took the leap from DS to DI was partly natural, it made sense for him to be in charge of other men as he was quite good at organizing other people.

“There was also the very emotional and personal issue that he and his wife can’t conceive a child and after four or five years of trying different treatments have moved to London as they can get IVF treatment a little cheaper in the borough he is in.”

Wes and Ronnie share a history in the force…

Says Paterson: “Wes and Ronnie have had a very similar experience in the force in that they were serious about being coppers – they both really were in love with the law and order. There’s also a part of both of them that have deep integrity in what they do – they avoid doing anything that even smells of corruption and they will expose it where they see it, they are purists.”

“They understand some coppers tend to bend the rules – there were a lot of mavericks around in those days, they were a little looser in the interpretation of the law – especially in the early 80s but they got on well and hung out together for a good eight to 10 years and knew the same crowd of coppers and had mutual friends. Meeting up again is fantastic as they have banter very easily – Wes is in a different position to last time they met in that he is in a higher rank and ultimately Ronnie’s boss, but he never feels like this because he is his mate. There is a sort of balance in their relationship, a mutual respect. He is not a Daddy DI, Wes is a real ‘get the job done’ kind of guy and the fact he has a bit of warmth towards Ronnie takes the edge off him.”

So how does Wes get on with his new team?

“He absolutely loves the way Ronnie works – he works in a very similar way although he is much less emotional about the cases. On occasions that leads to a bit of a clash in that Wes can see where Ronnie is going, and in my eyes, he is so tenacious and wants to do the right thing for everyone involved in the case, but sometimes looks at the pile of work on his desk and just wants to close this off and get as much evidence as he can. Ronnie will always scratch a little deeper and find something that turns the case around which is wonderful in one way and really annoying in another, but he greatly admires him for doing that.

“His relationship with Sam (Paul Nicholls) is a little tricky because for some reason Sam has taken umbrage towards him immediately for no other reason apart from that he is a new boy. There is nothing racist about the way Sam treats him, it is just people don’t like a new broom. Policeman are very conservative, they don’t like changes and are always suspicious of new people coming along. Thankfully Ronnie pours oil on troubled waters and helps us to work together but it is a tense relationship; there isn’t a lot of love lost and at some points there are major clashes.”

Paterson is thrilled that his first episode on Law & Order: UK is such a dramatic one.

“Most of the storylines are more domestic, more personal and less spectacular so it was a great way to start and have such a big incident to get to grips with. It also really helped the transition into being that copper investigating a crime in this detailed way. I have never played a detective before I’ve done bits in other drama series but they have been tiny compared to this. It is great being able to follow the investigation all the way through.

“Wes cannot stand being too long behind a desk – working within four walls is a very acquired taste, you have to be a particular kind of person and Wes struggles with this and the huge amounts of admin. He knows it is part of the job and it helps everyone on the case but he would just love to be out there catching people. No one was going to keep him away from the scene of the train crash and it was incredible to film there.”

And Paterson admits to being a fan of the Law & Order franchise before joining the cast.

“The first time I saw the US version was about 1996, and both times I have seen it was in the Caribbean. My wife and I absolutely loved it, it was one of the things we did in the evening before we went out for dinner. All the cases were contained, so whether you had seen previous episodes or not didn’t matter. We loved the banter.”

“The whole series really smacked of authentic, procedural US legal system and it seemed to me to be a really good mixture between what would happen and a really entertaining police drama. I thought ‘we don’t have anything like that in the UK’ and started writing something along those lines and then the UK version was created and I was very curious to see it. I saw some episodes during my travels when the first series came out and thought they were all really excellent and totally held their own to the American series. I am hoping we have maintained that credibility for this series too.”



EPISODE SYNOPSES

Episode 1 – Tracks (adapted from Locomotion)
Writer – Emilia di Girolamo

A suicidal man drives his car across a railway causing the train to crash and killing 15 people, but he survives. Crown Prosecutor Jake Thorne (Dominic Rowan) pursues the culprit, Finn Tyler (Aidan McArdle) with vigour whilst the man’s defence barrister (Kate Barker played by Georgia Taylor) tries to prove his vulnerability and mental illness. Just as the case finishes, his boss, CPS Director Henry Sharpe (Peter Davison), springs one more surprise on Jake…Kate is Alesha’s replacement. Another new face is DI Wes Leyton (Paterson Joseph). He’s an old colleague of Ronnie’s (Bradley Walsh) and is covering for DI Chandler when Tyler is found dead in his cell at court and the last person seen entering the cell was DS Sam Casey (Paul Nicholls)…

My recap and review of Law & Order UK "Tracks" can be found at this link.



Episode 2 – Tremors (adapted from Aftershock)
Writer – Emilia di Girolamo

DS Sam Casey (Paul Nicholls) is suspended over the death of Finn Tyler and DI Wes Leyton (Paterson Joseph) gets hands on with this investigation, with a reluctant DS Ronnie Brooks (Bradley Walsh) as his partner. For the first time we explore a day-­in-the-­life of the Law & Order: UK regulars. After a few drinks Jake (Dominic Rowan) opens up to new colleague Kate Barker (Georgia Taylor) about his mothers’ death. We meet Ronnie’s estranged daughter and follow Sam as he spends the day with his son, giving new insight into our heroes’ off-­duty lives.

My recap and review of Law & Order UK "Tremors" can be found at this link.




Episode 3 – Paternal (adapted from Deadbeat)
Writer – Nick Hicks-­Beach

A man is found shot dead in a hotel room and the cash he was carrying has gone missing. We discover the man owed his ex-­wife thousands of pounds in unpaid child support and was lying to his girlfriend about his line of work. DS Sam Casey (Paul Nicholls) and DS Ronnie Brooks (Bradley Walsh) also learn he has a son dying of leukaemia, but hadn’t been tested for a bone marrow match. Attention turns to the ex-­father-­in-­law, Philip Donovan (Ian Bleasdale). Did he hunt down the father of his dying grandson to try to recoup the unpaid money or is there more to this family set up than first appears? How far will a parent go to protect their child… At the CPS Jake (Dominic Rowan) and Kate (Georgia Taylor) work out their differences and reach a more even keel.

My recap and review of Law & Order UK " Paternal " can be found at this link.


Episode 4 – Fatherly Love (adapted from Family Values)
Writer – Noel Farragher

The body of Charlotte Leigh is pulled from the Thames. After ruling out suicide, DS Ronnie Brooks (Bradley Walsh) and DS Sam Casey (Paul Nicholls) focus their enquiries on the victim’s abusive ex-­husband Richard (Patrick Baladi) with whom she was involved in a bitter custody battle over their teenage daughter, Holly (Charlotte Hope). However, the investigation turns closer to home when it appears Holly was involved in a relationship with her mothers’ new husband, Sean (Rory Kennan). Despite the evidence pointing to Holly, Crown Prosecutor Jake Thorne (Dominic Rowan) follows his gut and gambles on a hunch at the trial in a bid to draw out the real killer, and in turn uncovers the dark truth behind the façade of a seemingly perfect family. This is a story about how far a girl will go to protect the man she loves…

My recap and review of Law & Order SVU "Fatherly Love" can be found at this link.




Regular Cast

DS Ronnie Brooks: Bradley Walsh
DS Sam Casey: Paul Nicholls
DI Wes Leyton: Paterson Joseph
Jacob Thorne: Dominic Rowan
Kate Barker: Georgia Taylor
Henry Sharpe: Peter Davison




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